uddyot a the word always refers in grammar to the famous commentary by Nāgeśabhaṭṭa written in the first decade of the 18th century A. D. om the Mahābhāṣyapradīpa of Kaiyaṭa. The Mahābhāṣya-Pradīpoddyota by Nāgeśa. uddyot anaprabhā name of a commentary on the 'Tantrapradipa' of Maitreya Rakṣita,which latter is a commentary on Jinendrabuddhi's Kāśikāvivaraṇapañjikā, a commentary on the Kāśikāvṛtti by Jinendrabuddhi, called Nyāsa. upasargadyot yatā the view or doctrine that prefixes, by themselves, do not possess any sense, but they indicate the sense of the verb or noun with which they are connectedition edition kātantrapariśiṣṭapradyot a a gloss on the Kātantrapariśiṣṭa by Goyicandra in the twelfth century. dyot aka indicative, suggestive; not directly capable of expressing the sense by denotation; the nipatas and upasargas are said to be 'dyotaka' and not 'vacaka' by standard grammarians headed by the Varttikakara; confer, compare confer, compare a reference to some preceding word, not necessarily on the same page. commentary confer, compare confer, compare confer, compare dyot ana conveyance of sense indirectly or by suggestion, and not directly. See द्योतक a reference to some preceding word, not necessarily on the same page. dyot ya(sense) conveyed by suggestion indirectly and not directly expressed, as in the case of karmapravacaniyas, the krt affixes and the tad, affixes: confer, compare Kāśikā of Jayāditya and Vāmana. nipātadyot akatva the view that the nipatas and the upasargas too, as contrasted with nouns,pronouns and other indeclinables, only indicate the sense and do not denote it; this view, as grammarians say, was implied in the Mahabhasya and was prominently given in the Vakyapadiya by Bhartrhari which was followed by almost all later grammarians. See निपात. nyāsoddyot a a learned commentary on Jinendrabuddhi's Kāśikāvivaraṇapañjikā, a commentary on the Kāśikāvṛtti by Jinendrabuddhi, called Nyāsa. vyākaraṇamahābhāṣyapradīpoddyot a the wellknown scholarly commentary by the stalwart grammarian Nagesabhatta on the Mahabhasyapradipa of Kaiyata. See उद्द्योत and नागेश. śabdadyot yatva the indicatory power to show the sense; the word is used in connection with the potentiality to convey the sense possessed by the Nipatas. anarthaka (1) without any signification;literally id est, that is exempli gratia, for example confer, compare Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). confer, compare Nirukta of Yāska. confer, compare confer, compare Vārttika (on the Sūtra of Pāṇini). Vārttika (on the Sūtra of Pāṇini). Mahābhāṣya-Pradīpoddyota by Nāgeśa. 1. varia lectio, another reading, Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.) Vārttika (on the Sūtra of Pāṇini). confer, compare Vārttika (on the Sūtra of Pāṇini). Vārttika (on the Sūtra of Pāṇini). Vārttika (on the Sūtra of Pāṇini). upasarga preposition, prefix. The word उसपर्ग originally meant only 'a prefixed word': confer, compare Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.) et cetera, and others confer, compare confer, compare confer, compare Nirukta of Yāska. et cetera, and others et cetera, and others Nirukta of Yāska. Vārttika (on the Sūtra of Pāṇini). Kaiyaṭa's Mahābhāṣyapradīpa. Mahābhāṣya-Pradīpoddyota by Nāgeśa. edition Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.) Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.) Taittirīya Prātiśākhya. Vājasaneyi Prātiśākhya. eṇīkṛta A fault in pronunciation when the voice is indistinct, and the word pronounced is not distinctly heard; confer, compare Kaiyaṭa's Mahābhāṣyapradīpa. kātantrapañjikā a name usually given to a compendium of the type of Vivaraṇa or gloss written on the Kātantra Sūtras. The gloss written by Durgasiṁha's Kātantra-Sūtravṛtti. Durgasiṁha's Kātantra-Sūtravṛtti. Durgasiṁha's Kātantra-Sūtravṛtti. kaiyaṭa name of the renowned commentator on the Mahābhāṣya, who lived in the 11th century. He was a resident of Kashmir and his father's name was Jaiyaṭa. The commentary on the Mahābhāṣya was named महाभाष्यप्रदीप by him, which is believed by later grammarians to have really acted as प्रदीप or light, as without it, the Mahābhāṣya of Patañjali would have remained unlit, that is unintelligible, at several places. Later grammarians attached to प्रदीप almost the same importance as they did to the Mahābhāṣya and the expression तदुक्तं भावकैयटयोः has been often used by commentators. Many commentary works were written on the Kaiyaṭa's Mahābhāṣyapradīpa. Mahābhāṣya-Pradīpoddyota by Nāgeśa. goṇikāputra a grammarian whose wiew in connection with the correctness of the expressions नेताश्वस्य स्त्रुघ्नं and नेताश्वस्य स्त्रुघ्नस्य is given by the Mahabhasyakara in the words 'both expressions are justified' ( उभयथा गेणिकापुत्रः ). Nagesa has observed that गेोणिकापुत्र is nobody else but the Mahabhasyakara himself; confer, compare Mahābhāṣya-Pradīpoddyota by Nāgeśa. gopīnātha a Bengali scholar of Katansutra Grammar who is believed to have written Katantraparisistapraddyota. chāyā a learned commentary on Nagesa's Mahabhasyapradipoddyota written by his pupil बाळंभट्ट (possibly the same as, or the son of, वैद्यनाथ पायगुण्डे) who lived in the eighteenth century. nāgeśa the most reputed modern scholar of Panini's grammar, who was well-versed in other Sastras also, who lived in Benares in the latter half of the seventeenth and the first half of the eighteenth century. He wrote many masterly commentaries known by the words शेखर and उद्द्योत on the authoritative old works in the different Sastras, the total list of his small and big works together well nigh exceeding a hundredition Mahābhāṣya-Pradīpoddyota by Nāgeśa. edition nāda (1) voice; resonance; tone; the sound caused by the vibration of the vocal chords in the open glottis when the air passes through them; confer, compare Mahābhāṣya-Pradīpoddyota by Nāgeśa. Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). confer, compare Taittirīya Prātiśākhya. nairdeśika matter of communication; statement made for communication. Mahābhāṣya-Pradīpoddyota by Nāgeśa. confer, compare Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). paśyantī name of the second out of the four successive stages in the origination or utterance of a word from the mouth. According to the ancient writers on Phonetics, sound or word ( वाक् ) which is constituted of air ( वायु ) originates at the Mulaadhaaracakra where it is called परा. It then springs up and it is called पश्यन्ती in the second stage. Thence it comes up and is called मध्यमा in the third stage; rising up from the third stage when the air strikes against the vocal chords in the glottis and comes in contact with the different parts of the mouth, it becomes articulate and is heard in the form of different sounds. when it is called वैखरी; confer, compare confer, compare commentary confer, compare Mahābhāṣya-Pradīpoddyota by Nāgeśa. Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). pāyaguṇḍa,pāyaguṇḍe A learned pupil of Nāgeśabhațța who lived in Vārǎņasī in the latter half of the 18th century A.D. He was a renowned teacher of Grammar and is believed to have written commentaries on many works of Nāgeśa, the famous among which are the 'Kāśikā' called also 'Gadā' on the Paribhāșenduśekhara,the'Cidasthimālā' on the Laghuśabdenduśekhara and the 'Chāyā' on the Mahābhāṣya-Pradīpoddyota by Nāgeśa. bālaṃbhaṭṭa ( बाळंभट्ट ) surnamed Payagunda or Payagunde, who has written a commentary on the commentary Mitaksara on the याज्ञवल्क्यस्मृति. Some scholars say that he was also a great grammarian and identical with वैद्यनाथ पायगुंडे who has written the commentary काशिका or गदा on the Paribhasendusekhara, the Cidasthimala on the Laghusabdendusekhara and commentaries on the Vaiyakaranabhusana,Sabdakaustubha and Bhasyapradipoddyota. Other scholars believe that Balambhatta was the son of Vaidyanatha and that he wrote only the commentary on Mitaksara called Balambhatti after him. (2) There was also a comparatively modern grammarian of Tanjore who has written small grammar works बालबोधिनी and बालरञ्जनी. bhrāja stray or spurious verses or stanzas whose authorship cannot be traced, but which are commonly quoted by scholars; confer, compare mahābhāṣyapradīpa a very scholarly commentary on Patanjali's MahabhaSya written by Kaiyatabhatta in the eleventh century, The commentary has so nicely explained every difficult and obscure point in the Mahabhasya, and has so thoroughly explained each sentence that the remark of later grammarians that the torch of the Mahabhasya has been kept burning by the Pradipa appears quite apt and justifiedition mahābhāṣyapradīpavivaraṇa (1) original name of the learned commentary on the 'Pradipa' of Kaiyata written by Nagesabhatta, a stalwart and epoch-making grammarian of the 18th century. The commentary is known popularly by the name 'Uddyota' or Pradipoddyota; (2) name of the commentary on Kaiyata's Pradipa by Nityaananda Parvatiya. The commentary is also known by the name दीपप्रभा. vāṇī speech; utterance; the same as वाच् which is believed to be of four kinds as cited by the grammarians and explained by Bhartrhari; the four kinds are based upon the four places of origin, the three first places belonging to the inarticulate speech and the fourth belonging to the articulate one: cfचत्वारि वाक्परिमिता पदानि तानि विदुर्ब्राह्मण य मनीषिणः | गुहा त्रीणि निहिता नेङ्गयन्तिं तुरीयं वाचेी मनुष्या वदन्ति, Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). Mahābhāṣya-Pradīpoddyota by Nāgeśa. vārtikapāṭha the text of the Varttikas as traditionally handed over in the oral recital or in manuscripts As observed a reference to some preceding word, not necessarily on the same page. confer, compare Mahābhāṣya-Pradīpoddyota by Nāgeśa. vivāra name given to an external effort in the production of a sound when the vocal chords of the glottis or larynx are extended; confer, compare Mahābhāṣya-Pradīpoddyota by Nāgeśa. Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). confer, compare Taittirīya Prātiśākhya. byāḍi name of an ancient grammarian with a sound scholarship in Vedic phonetics, accentuation,derivation of words and their interpretation. He is believed to have been a relative and contemporary of Panini and to have written a very scholarly vast volume on Sanskrit grammar named *Samgraha which is believed to have consisted of a lac of verses; confer, compare confer, compare Vākyapadīya of Bhartṛhari. saṃvāra one of the external efforts in the production of a sound when the gullet is a little bit contracted as at the time of the utterance of the third, fourth and the fifth of the class-consonants; confer, compare Mahābhāṣya-Pradīpoddyota by Nāgeśa. samavāya (I) combination as contrasted with व्यवाय disjunction or separation; (2) the enumeration of the letters of the alphabet in a particular order so as to facilitate their combination, technically termed प्रत्याहार; confer, compare Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). confer, compare Mahābhāṣya-Pradīpoddyota by Nāgeśa. a reference to some preceding word, not necessarily on the same page. Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.)
dyot
tārā, tārakā, tārikā, nakṣatram, ṛkṣam, uḍuḥ, dyot iḥ, udyat, jyotis, jyotiṣī, bhāsantaḥ, rātrijam, rātribham
ākāśe dṛśyamanāḥ khagolīya-piṇḍāḥ ye rātrau sphuranti, tathā ca yeṣāṃ śobhā na kṣarati।
rātrau tārāyāḥ śobhā avarṇanīyā।
dyot
prakāśaḥ, dyutiḥ, dīptiḥ, tejaḥ, pradīpaḥ, jyotiḥ, jyotiḥ, prabhā, ābhā, chaviḥ, ālokaḥ, ruciḥ, ruc, kāntiḥ, chaṭā, nibhā, bhā, bhāḥ, chāyā, tviṣā, tviṣ, śociḥ, śobhā, varcaḥ, mahaḥ, dyot aḥ, dūśānam, marīciḥ, jhallikā
sā śaktiḥ tattvaṃ vā yayā anyāni vastūni dṛggocarāṇi bhavanti।
sūryasya āgamanena diśaḥ prakāśeṇa kāsyanti।
dyot
sūryaḥ, savitā, ādityaḥ, mitraḥ, aruṇaḥ, bhānuḥ, pūṣā, arkaḥ, hiraṇyagarbhaḥ, pataṅgaḥ, khagaḥ, sahasrāṃśuḥ, dinamaṇiḥ, marīci, mārtaṇḍa, divākaraḥ, bhāskaraḥ, prabhākaraḥ, vibhākaraḥ, vivasvān, saptāśvaḥ, haridaśvaḥ, citrarathaḥ, saptasaptiḥ, dinamaṇi, dyumaṇiḥ, divāmaṇiḥ, khamaṇiḥ, khadyot aḥ, pradyot anaḥ, ambarīśaḥ, aṃśahastaḥ, lokabāndhavaḥ, jagatcakṣuḥ, lokalocanaḥ, kālakṛtaḥ, karmasākṣī, gopatiḥ, gabhastiḥ, gabhastimān, gabhastihastaḥ, graharājaḥ, caṇḍāṃśu, aṃśumānī, uṣṇaraśmiḥ, tapanaḥ, tāpanaḥ, jyotiṣmān, mihiraḥ, avyayaḥ, arciḥ, padmapāṇiḥ, padminīvallabhaḥ, padmabandhuḥ, padminīkāntaḥ, padmapāṇiḥ, hiraṇyaretaḥ, kāśyapeyaḥ, virocanaḥ, vibhāvasuḥ, tamonudaḥ, tamopahaḥ, citrabhānuḥ, hariḥ, harivāhanaḥ, grahapatiḥ, tviṣāmpatiḥ, ahaḥpatiḥ, vṛdhnaḥ, bhagaḥ, agaḥ, adriḥ, heliḥ, tarūṇiḥ, śūraḥ, dinapraṇīḥ, kuñjāraḥ, plavagaḥ, sūnuḥ, rasādhāraḥ, pratidivā, jyotipīthaḥ, inaḥ, vedodayaḥ, papīḥ, pītaḥ, akūpāraḥ, usraḥ, kapilaḥ
pṛthivyāḥ nikaṭatamaḥ atitejasvī khagolīyaḥ piṇḍaḥ yaṃ paritaḥ pṛthvyādigrahāḥ bhramanti। tathā ca yaḥ ākāśe suvati lokam karmāṇi prerayati ca।
sūryaḥ sauryāḥ ūrjāyāḥ mahīyaḥ srotaḥ।/ sūrye tapatyāvaraṇāya dṛṣṭaiḥ kalpeta lokasya kathaṃ tamitsrā।
dyot
uddīpaya, dīpaya, ādīpaya, anubhrāj, jvalaya, ujjvalaya, abhijvalaya, saṃjvalaya, sañjvalaya, udbhāsaya, ābhāsaya, avabhāsaya, dyot aya, nirbhāsaya, prabhāsaya, prarocaya, bhāsaya, bhrājaya, vidīpaya, vikāśaya, virocaya, abhikāś, abhivibhā, ātan
prakāśanapreraṇānukūlaḥ vyāpāraḥ।
paṭhanasamaye saḥ vātapracālitaṃ dīpam ujjvalayati।
dyot
dyumat, dyutikar, dyutimat, dyot ana, dyot i, dyot amāna, ujvala, kāntimat, kiraṇamaya, utprabha, ullasa, ullasita, prakāśavat, prakāśaka, prakāśamāna, prakāśat, prakāśin, citra, tejasvat, tejasvin, tejomaya, taijasa, añjimat, atiśukra, abhirucira, abhivirājita, abhiśobhita, abhīṣumat, amanda, avabhāsita, avabhāsin, ābhāsvara, ārocana, ābhāsura, iddha, utprabha, udīrṇadīdhiti, uddyot a, uddyot ita, kanakatālābha, kanakaprabha, kanala, kāśī, kāśīṣṇu, ketu, taijasa, dīdi, dīdivi, dīpta, dīptimat, dyot amāna, dhauta, punāna, prakhya, prabhāvat, bṛhajjyotis, bhāskara, bhāsura, bhāsvara, bhāsvat, bhāsayat, rukmābha, rucita, rucira, rucya, ruśat, roca, rocana, rocamāna, rociṣṇu, varcasvin, vidyot amāna, virukmat, vicakṣaṇa, virājamāna, śuklabhāsvara, śundhyu, śubhāna, śubhra, śubhri, śumbhamāna, śobha, śobhamāna, sutāra, suteja, sudīpta, sudyot man, supraketa, suprabha, suruk, suvibhāta, sphurat, hiraṇyanirṇij, hiraṇyanirṇig
yasmin dīptiḥ asti athavā yasya varṇaḥ ābhāyuktaḥ asti।
prācyadeśāt āgatena tena dūtena tat dyumat ratnaṃ rājasabhāyāṃ rājñe samarpitam।
dyot
khadyot aḥ, khajyoti, prabhākīṭaḥ, upasūryakaḥ, dhvāntonmeṣaḥ, tamomaṇiḥ, dṛṣṭibandhuḥ, tamojyotiḥ, jyotiriṅgaḥ, nimeṣakaḥ
kīṭaviśeṣaḥ yaḥ andhakāre prakāśamān bhavati।
bālakāḥ khadyotaṃ grahaṇārthe dhāvanti। /khadyoto dyotate tāvat yāvannodayate śaśī।
dyot
ātapaḥ, gharmaḥ, iddhaḥ, ghṛṇaḥ, ghraṃsaḥ, jhallikā, dyot a, tapanadyutiḥ, paṭoṭajam, sūryakāntiḥ, sūryatejaḥ, sūryālokaḥ
sūryasya kiraṇānāṃ vistāraḥ yena janāḥ auṣmyaṃ tathā ca prakāśam anubhavanti।
śātartau ātapaṃ sukhakārakaṃ bhavati।
dyot
vivṛ, vyākhyā, vyācakṣ, nirūpaya, dyot aya, vyaṃj, vyañj, vyaṃjaya, vyañjaya, sphuṭīkṛ, viśadīkṛ, vyākṛ, pravac, prakāśaya, spaṣṭīkṛ
kasyacana viṣayasya avabodhanānukūlaḥ vyāpāraḥ।
adhyāpakaḥ bālakaṃ gaṇitam jñāpayati
dyot
abhinirdiś, pradiś, nirdiś, upadiś, apadiś, nidarśaya, pradarśaya, vinirdiś, avadyot aya, lakṣaya, ādiś, upādiś, ākṣip
kāryaviśeṣasya vā vastuviśeṣasya vā jñāpanānukūlaḥ vyāpāraḥ।
mātā mahyaṃ ākāśe dhruvasya sthitim abhinirdiśati।
dyot
vidyot
ekā apsarāḥ।
vidyotaḥ varṇanaṃ purāṇeṣu vartate।
dyot
sūryaḥ, sūraḥ, aryamā, ādityaḥ, dvādaśātmā, divākaraḥ, bhāskaraḥ, ahaskaraḥ, vradhraḥ, prabhākaraḥ, vibhākaraḥ, bhāsvān, vivasvān, saptāśvaḥ, haridaśvaḥ, uṣṇaraśmiḥ, vivarttanaḥ, arkaḥ, mārttaṇḍaḥ, mihiraḥ, aruṇaḥ, vṛṣā, dyumaṇiḥ, taraṇiḥ, mitraḥ, citrabhānuḥ, virocan, vibhāvasuḥ, grahapatiḥ, tviṣāmpatiḥ, ahaḥpatiḥ, bhānuḥ, haṃsaḥ, sahastrāṃśuḥ, tapanaḥ, savitā, raviḥ, śūraḥ, bhagaḥ, vṛdhnaḥ, padminīvallabhaḥ, hariḥ, dinamaṇiḥ, caṇḍāṃśuḥ, saptasaptiḥ, aṃśumālī, kāśyapeyaḥ, khagaḥ, bhānumān, lokalocanaḥ, padmabandhuḥ, jyotiṣmān, avyathaḥ, tāpanaḥ, citrarathaḥ, khamaṇiḥ, divāmaṇiḥ, gabhastihastaḥ, heliḥ, pataṃgaḥ, arcciḥ, dinapraṇīḥ, vedodayaḥ, kālakṛtaḥ, graharājaḥ, tamonudaḥ, rasādhāraḥ, pratidivā, jyotiḥpīthaḥ, inaḥ, karmmasākṣī, jagaccakṣuḥ, trayītapaḥ, pradyot anaḥ, khadyot aḥ, lokabāndhavaḥ, padminīkāntaḥ, aṃśuhastaḥ, padmapāṇiḥ, hiraṇyaretāḥ, pītaḥ, adriḥ, agaḥ, harivāhanaḥ, ambarīṣaḥ, dhāmanidhiḥ, himārātiḥ, gopatiḥ, kuñjāraḥ, plavagaḥ, sūnuḥ, tamopahaḥ, gabhastiḥ, savitraḥ, pūṣā, viśvapā, divasakaraḥ, dinakṛt, dinapatiḥ, dyupatiḥ, divāmaṇiḥ, nabhomaṇiḥ, khamaṇiḥ, viyanmaṇiḥ, timiraripuḥ, dhvāntārātiḥ, tamonudaḥ, tamopahaḥ, bhākoṣaḥ, tejaḥpuñjaḥ, bhānemiḥ, khakholkaḥ, khadyot anaḥ, virocanaḥ, nabhaścakṣūḥ, lokacakṣūḥ, jagatsākṣī, graharājaḥ, tapatāmpatiḥ, sahastrakiraṇaḥ, kiraṇamālī, marīcimālī, aṃśudharaḥ, kiraṇaḥ, aṃśubharttā, aṃśuvāṇaḥ, caṇḍakiraṇaḥ, dharmāṃśuḥ, tīkṣṇāṃśuḥ, kharāṃśuḥ, caṇḍaraśmiḥ, caṇḍamarīciḥ, caṇḍadīdhitiḥ, aśītamarīciḥ, aśītakaraḥ, śubharaśmiḥ, pratibhāvān, vibhāvān, vibhāvasuḥ, pacataḥ, pacelimaḥ, śuṣṇaḥ, gaganādhvagaḥ, gaṇadhvajaḥ, khacaraḥ, gaganavihārī, padmagarbhaḥ, padmāsanaḥ, sadāgatiḥ, haridaśvaḥ, maṇimān, jīviteśaḥ, murottamaḥ, kāśyapī, mṛtāṇḍaḥ, dvādaśātmakaḥ, kāmaḥ, kālacakraḥ, kauśikaḥ, citrarathaḥ, śīghragaḥ, saptasaptiḥ
hindūnāṃ dharmagrantheṣu varṇitā ekā devatā।
vedeṣu sūryasya pūjāyāḥ vāraṃvāraṃ vidhānam asti।
dyot
bhrājasvat, bhrājasvin, ujjvalita, utprabha, uddyot
ābhāyuktaḥ।
sā ākāśe bhrājasvat nakṣatram paśyati।
dyot
vidyot aḥ
rūpitrādibhyaḥ yantrebhyaḥ nirgataḥ prakāśaḥ।
prakhareṇa vidyotena netre nimīlataḥ।
dyot
vidyuddyot ā
ekā rājakumārī ।
kathāsaritsāgare vidyuddotāyāḥ varṇanam asti
dyot
prāyaścittavivekoddyot aḥ
ekā kṛtiḥ ।
saṃskṛta-vāṅmaye prāyaścittavivekoddyotaḥ iti vikhyātā racanā
dyot
khadyot akaḥ
ekaḥ viṣamayavṛkṣakaḥ ।
khadyotakasya varṇanaṃ suśrutena kṛtam
dyot
khadyot ā
ekā devatā ।
khadyotāyāḥ varṇanaṃ bauddhasāhitye vartate
dyot
khadyot akaḥ
ekaḥ viṣamayakṣupaḥ ।
khadyotakasya varṇanaṃ suśrutena kṛtam
dyot
khadyot ā
ekā devatā ।
khadyotāyāḥ varṇanaṃ bauddhasāhitye vartate
dyot
caṇḍapradyot aḥ
ekaḥ rājaputraḥ ।
caṇḍapradyotasya ullekhaḥ jainasāhityāt prāpyate
dyot
uddyot anaḥ
ekaḥ śikṣakaḥ ।
uddyotanasūreḥ ullekhaḥ jainasāhitye asti
dyot
uddyot akarācāryaḥ
ekaḥ śikṣakaḥ ।
uddyotakarācāryasya ullekhaḥ koṣe asti
dyot
padadyot inī
gītagovindasya ekaḥ ṭīkāgranthaḥ ।
padadyotinyāḥ ullekhaḥ koṣe asti
dyot
dyot ana
ekaḥ puruṣaḥ ।
dyotanasya ullekhaḥ kośe vartate
dyot
dyot anaḥ
ekaḥ puruṣaḥ ।
dyotanasya ullekhaḥ ṛgvede asti
Feedback
icon to enable a popup keybord and you can toggle between देवनागरी and IAST characters. If you want a system software for typing easily in देवनागरी or IAST you can download our software called SanskritWriter