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"sic" has 1 results.
        Root WordIAST MeaningMonier Williams PageClass
√सिच्sicsprinkling, moistening / kṣaraṇa327/1Cl.6
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WordReferenceGenderNumberSynonymsDefinition
gandharvaḥ1.1.57MasculineSingularcelestial musicians
svarāḥ1.7.1MasculinePluralṣaḍjaḥ, madhyamaḥ, dhaivataḥ, niṣādaḥ, pañcamaḥ, ṛṣabhaḥ, gāndhāraḥa note of the musical scale or gamut
tatamNeuterSingularlute etc musical instrument
vādyamNeuterSingularvāditram, ātodyama musical instrument
layaḥMasculineSingulartime in music (of three kinds - druta, madhya, and vilambita)
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Results for sic42 results for sic
     
Devanagari
BrahmiEXPERIMENTAL
sic cl.6 P. A1. () siñc/ati-, te- (once in , s/ecate- perfect tense siṣeca-, siṣice-[in also sisicuḥ-, sisice-]; Aorist asicat-, cata-[Gr. also asikta-]; subjunctive sicāmahe- ; preceding sicyāt- ; future sekṣyati-, te- etc.; infinitive mood sektum- sektavai- ; ind.p. siktvā- ; -s/icya- ; -secam-or -sekam-, ), to pour out, discharge, emit, shed, infuse or pour into or on (locative case) etc. etc. ; to emit semen, impregnate ; to scatter in small drops, sprinkle, besprinkle or moisten with (instrumental case) etc. ; to dip, soak, steep ; to cast or form anything out of molten metal etc. (2 accusative) : Passive voice sicyate- (Epic also ti-; Aorist aseci-), to be poured out or sprinkled etc. etc.: Causal secayati-, te- (Epic also siñcayati-; Aorist asīṣicat-or asīsicat-), to cause to pour out etc. ; to sprinkle, water (plants etc.) : Desiderative siṣikṣati- or sisikṣati- ; te- grammar (confer, compare sisikṣā-): Intensive sesicyate-, sesekti-. ([ confer, compare Zend hincaiti; Greek [?] ; Anglo-Saxon seo4n; German seihen,seichen.]) View this entry on the original dictionary page scan.
sicf. the border or hem of a dress View this entry on the original dictionary page scan.
sicf. (dual number) the two borders or boundaries id est the horizon View this entry on the original dictionary page scan.
sicf. (dual number and plural) the wings of an army View this entry on the original dictionary page scan.
sicf. equals śic-, a net View this entry on the original dictionary page scan.
sicayam. robe, raiment, cloth, clothes View this entry on the original dictionary page scan.
sicayam. old or ragged raiment View this entry on the original dictionary page scan.
abhiparyāsicto pour out round View this entry on the original dictionary page scan.
abhisamāsicto pour together View this entry on the original dictionary page scan.
abhyāsicto pour on View this entry on the original dictionary page scan.
abhyutsic(ind.p. -s/icya-) to fill up by pouring ; to sprinkle with (instrumental case, adbhis-) View this entry on the original dictionary page scan.
anuparisicto pour round, View this entry on the original dictionary page scan.
anusicSee anu-ṣic-. View this entry on the original dictionary page scan.
anvatisicto pour out over or along View this entry on the original dictionary page scan.
apisicto sprinkle with View this entry on the original dictionary page scan.
āsicP. A1. -siñcati-, -te-, to pour in, fill up etc. ; to pour on, be sprinkle, water, wet : Causal -secayati-, to pour in or on and View this entry on the original dictionary page scan.
āsicf. pouring in or towards View this entry on the original dictionary page scan.
āsicf. an oblation of soma- or butter (poured out towards or for the gods) View this entry on the original dictionary page scan.
asicaryāf. exercise or practice of arms View this entry on the original dictionary page scan.
avasic(parasmE-pada -siñcat-; ind.p. -sicya-) to sprinkle, pour upon (accusative or locative case) ; to pour out : Causal (Potential -secayet-) to sprinkle, bedew View this entry on the original dictionary page scan.
avāsicto pour into (locative case) View this entry on the original dictionary page scan.
cīnasicayam. a China or silken cloth View this entry on the original dictionary page scan.
parāsicP. -siñcati- (Aorist -asicat-; Passive voice -sicyate- Aorist -aseci-), to pour or throw away, cast aside, remove View this entry on the original dictionary page scan.
prasicP. -siñcati-, to pour out, shed, emit etc.,; to sprinkle, water ; to fill (a vessel) : Passive voice -sicyate-, to be poured out or flow forth ; to be watered id est refreshed : Causal -secayati-, to pour into (locative case) View this entry on the original dictionary page scan.
pratyāsicto pour in again, View this entry on the original dictionary page scan.
retaḥsicmfn. discharging semen View this entry on the original dictionary page scan.
retaḥsicf. Name of particular iṣṭakā-s View this entry on the original dictionary page scan.
retaḥsicyan. discharge of semen View this entry on the original dictionary page scan.
samāsicP. -siñcati-, to sprinkle or pour out together ; to instil (wisdom) into (accusative) View this entry on the original dictionary page scan.
samprasic Passive voice -sicyate-, to flow out, issue View this entry on the original dictionary page scan.
saṃsicP. A1. -siñcati-, te-, to pour together, pour upon, sprinkle over ; to cast, form View this entry on the original dictionary page scan.
saṃsicmfn. pouring, shedding together View this entry on the original dictionary page scan.
śirasisicf. a head-cloth View this entry on the original dictionary page scan.
susicmfn. (of unknown meaning.) View this entry on the original dictionary page scan.
svasicmfn. pouring out spontaneously (see su-s/ic-). View this entry on the original dictionary page scan.
upasicP. -siñcati-, to pour upon, sprinkle View this entry on the original dictionary page scan.
upasicya ind.p. pouring on, sprinkling View this entry on the original dictionary page scan.
upotsic(upa-ud-sic-) P. -siñcati-, to pour out upon View this entry on the original dictionary page scan.
utsic(ud-sic-) P. A1. -siñcati-, -te-, to pour upon, make full ; to cause to flow over ; to make proud or arrogant (See the Passive voice): Passive voice -sicyate-, to become full, flow over, foam over ; to be puffed up, become haughty or proud
visicm. a jaina- View this entry on the original dictionary page scan.
vyāsicP. -siñcati-, to distribute in pouring out View this entry on the original dictionary page scan.
vyutsicP. -siñcati-, to pour out or sprinkle in different directions View this entry on the original dictionary page scan.
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sic सिच् 6 U. (सिञ्चति-ते, सिषेच-सिषिचे, असिचत्-त, असिक्त, सेक्ष्यति-ते, सेक्तुम्, सिक्त; स् of सिच् is generally changed to ष् after a preposition ending in इ or उ) 1 To sprinkle, scatter in small drops; अम्भांसि रुक्मकुम्भेन सिञ्चन् मूर्ध्नि समाधिमान् Bk.19.23. -2 To water, moisten; soak, wet; विश्रान्तः सन् व्रज वननदीतीरजातानि सिञ्चन् Me.26; Ms.9.255. -3 To pour out, emit, discharge, shed; एताः करोत्पीडित- वारिधारा दर्पात् सखीभिर्वदनेषु सिक्ताः R.16.66. -4 To infuse, instil, pour in; जाड्यं धियो हरति सिञ्चति वाचि सत्यम् Bh.2. 23. -5 To pour out for, offer to; अन्यथा तिलोदकं मे सिञ्चतम् Ś.3. -6 To impregnate. -7 To dip, soak, steep. -Caus. (सेचयति-ते) To cause to sprinkle. -Desid. (सिसिक्षति-ते) To wish to sprinkle.
sic सिच् f. 1 Cloth; L. D. B. -2 The border or hem of a dress.
sicayaḥ सिचयः [सिच्-अयच् किञ्च] 1 Cloth, garment; स्पृशति नखैर्न च विलिखति सिचयं गृह्णाति न च विमोचयति Āryā-saptaśatī 126; N.7.84. -2 Old or ragged raiment.
āsic आसिच् 6 P. 1 To pour in or on, wet, water, sprinkle. -2 To fill with; तप्तमासेचयेत्तैलं वक्त्रे श्रोते च पार्थिवः Ms.8.272. -Caus. To have anything poured in.
āsic आसिच् f. An oblation which is poured out; पूर्णां विवष्ट्यासिचम् Rv.7.16.11. a dish, vessel (?).
utsic उत्सिच् 6 P. To sprinkle, spread, pour down. -2 To make proud. -Pass. 1 To spout or foam up; उत्सिच्यमाने पयसि Bhāg. -2 to be puffed up or proud, be elated; न तस्योत्सिषिचे मनः R.17.43; स्तूयमाना नोत्सिच्यन्ते K.329. -3 To overflow, increase.
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sic sic pour, VI. siñcá, i. 85, 11 [OG. sīg-u ‘drip’, Lettic sik-u ‘fall’ of water]. ní- pour down, v. 83, 8.
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sicaya m. cloth, garment.
retaḥsicya n. effusion of semen; -seka, m. id., carnal intercourse with a woman (lc.); -sektri, m. impregnator; -skandana, n. effusion of semen; -skhalana, n. id.
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sic Denotes the 'border' of a garment. The Rigveda refers to a son clutching the hem of his father’s robe to attract his attention, and to a mother’s covering her son with the edge of her garment. The word also occurs later.
sic Denotes, in the dual, the ‘wings’ of an army, or, in the plural, the ‘lines.’
sic Seems in one passage of the Rigveda, where it is used in the dual, to denote the ‘ horizon’ (meaning literally the ‘two borders’; i.e., of heaven and of earth).
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"sic" has 30 results.
     
sicone of the substitutes ( स् ) for the general sign च्लि of the aorist tense ( लुङ् ); confer, compare च्लि लुङि | च्ले; सिच् P. III.1. 43, 44.
asicsamāsa-ending affix अस्. See a reference to some preceding word, not necessarily on the same page. the word अस्.
sicipādname given by convention to the second pada of the seventh adhyaya of Paninis Astadhyayi as the pada begins with the sutra सिचि वृद्धि; परस्मैपदेषु. P. VII. 2. 1.
aṃ(ं)nasal utterance called अनुस्वार and written as a dot a reference to some preceding word, not necessarily on the same page. the vowel preceding it. confer, compare स्वरमनु संलीनं शब्द्यते इति; it is pronounced after a vowel as immersed in it. The anusvāra is considered (l) as only a nasalization of the preceding vowel being in a way completely amalgamated with it. confer, compare Taittirīya Prātiśākhya.V. 11,31; XV. 1; XXII. 14 ; (2) as a nasal addition to the preceding vowel, many times prescribed in grammar as nuṭ (नुट् ) or num (नुम् ) which is changed into anusvāra in which case it is looked upon as a sort of a vowel, while, it is looked upon as a consonant when it is changed into a cognate of the following consonant (परसवर्ण) or retained as n (न्). confer, compare P. VIII.4.58; (3) as a kind cf consonant of the type of nasalized half g(ग्) as described in some treatises of the Yajurveda Prātiśākhya: cf also Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.)1.22 V.Pr.14.148-9. The vowel element of the anusvāra became more prevalent later on in Pali, Prkrit, Apabhraṁśa and in the spoken modern languages while the consonantal element became more predominant in classical Sanskrit.
atisvārya(अतिस्वार also)name of the seventh musical note in the singing of Sāman. confer, compareक्रष्टुप्रथमद्वितीयतृतीयचतुर्थमन्द्रातिस्वार्याः Taittirīya Prātiśākhya.XXIII. 13.
anudāttataraquite a low tone, completely grave; generally applied to the tone of that grave or anudātta vowel which is immediately followed by an acute ( उदात्त ) vowel. When the three Vedic accents were sub-divided into seven tones viz. उदात्त, उदात्ततर्, अनुदात्त, अनुदात्ततर, स्वरित, स्वरितस्थोदात्त and एकश्रुति corresponding to the seven musical notes, the अनुदात्ततर was the name given to the lowest of them all. अनुदात्ततर was termed सन्नतर also; confer, compare उदात्तस्वरितपरस्य सन्नतरः P.I.2.40; confer, compare also M, Bh. on I.2.33.
āgamaaugment, accrement, a word element which is added to the primitive or basic word during the process of the formation of a complete word or pada. The āgama is an adventitious word element and hence differs from ādeśa, the substitute which wholly takes the place of the original or ( आदेशिन् ). Out of the several āgamas mentioned by Pāṇini, those that are marked with mute ट् are prefixed, those, marked with क्, are affixed, while those, marked with म्, are placed immediately after the last vowel of the word. The augments become a part and parcel of the word to which they are added, and the characteristics of which they possess;confer, compareयदागमास्तद्गुणीभूतास्तद्ग्रहणेन गृह्यन्ते, also आगमानां आगमिधर्मिवैशिष्ट्यम् Paribhāṣenduśekhara of Nāgeśa. Pari.11. Those grammarians, who hold the view that words are unproduced and eternal, explain the addition of an augment as only the substitution of a word with an augment in the place of a word without an augment; confer, compare आदेशास्तर्हिमे भविष्यन्ति अनागमकानां सागमकाः Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on I.1.20; I.1.46. The term āgama is defined as अन्यत्र विद्यमानस्तु यो वर्णः श्रुयतेधिकः । आगम्यमानतुल्यत्वात्स आगम इति स्मृतः Com. on Tait. Prāt.I. 23.
āśubodha(1)name of a work on grammar written by Tārānātha called Tarka-vācaspatī, a reputed Sanskrit scholar of Bengal of the 19th century A.D. who compiled the great Sanskrit Dictionary named वाचस्पत्यकेाश and wrote commentaries on many Sanskrit Shastraic and classical works. The grammar called अाशुबोध is very useful for beginners; (2) name of an elementary grammar in aphorisms written by रामकिंकरसरस्वती, which is based on the Mugdhabodha of Bopadeva.
upagītaa fault in the pronunciation of letters, noticed sometimes in the utterance of a letter adjoining such a letter as is coloured with a musical tone on account of the proximity of the adjacent letter which is uttered in a musical note and which therefore is called 'प्रगीत'; confer, compare प्रगीतः सामवदुच्चारितः । उपगीतः समीपवर्णान्तरगीत्यानुरक्तः Kaiyaṭa's Kaiyaṭa's Mahābhāṣyapradīpa.on M.Bh. I. Āhnika 1.
ekavṛttisingle vṛtti or gloss on the Vedic as well as classical portions of grammar. Puruṣottamadeva's Paribhāṣāvṛtti.adeva has used this term in his Bhāṣāvṛtti to contrast his Vṛtti (भाषावृत्ति) with the Kāśikāvṛtti and the Bhāgavṛtti which deal with both the portions; confer, compareअनार्ष इत्येकवृत्तावुपयुक्तम् Bhāṣāvṛtti on I.1.16, confer, comparealso Bhāṣāvṛtti on III. 4.99, IV.3.22 and VI.3.20.एकवृत्ति is possibly used by Puruṣottamadeva's Paribhāṣāvṛtti.adeva in the sense of मुख्यवृत्ति or साधारणवृत्ति i. e. the common chief gloss on both the portions.
tatpuruṣaname of an important kind of compound words similar to the compound word तत्पुरुष id est, that is ( तस्य पुरुषः ), and hence chosen as the name of such compounds by ancient grammarians before Panini. Panini has not defined the term with a view to including such compounds as would be covered by the definition. He has mentioned the term तत्पुरुष in II.1.22 as Adhikara and on its strength directed that all compounds mentioned or prescribed thereafter upto Sutra II.2.22 be called तत्पुरुष. No definite number of the sub-divisions of तत्पुरुष is given;but from the nature of compounds included in the तत्पुरुष-अधिकार, the sub-divisions विभक्तितत्पुरुष confer, compare P.II.1.24 to 48, समानाधिकरणतत्पुरुष confer, compare P. II.1.49 to 72 (called by the name कर्मधारय; acc.to P.I. 2. 42), संख्यातत्पुरुष (called द्विगु by P.II.1.52), अवयत्रतत्पुरुष or एकदेशितत्पुरुषं confer, compare P.II.2.1-3, ब्यधिकरणतत्पुरुष confer, compare P. II 2.5, नञ्तत्पुरुष confer, compare P.II.2.6, उपपदतत्पुरुष confer, compare P. II.2.19, प्रादितत्पुरुष confer, compare P.II.2 18 and णमुल्तत्पुरुष confer, compareP.II.2.20 are found mentioned in the commentary literature on standard classical works. Besides these, a peculiar tatpurusa compound mentioned by'Panini in II.1.72, is popularly called मयूरव्यंसकादिसमास. Panini has defined only two out of these varieties viz. द्विगु as संख्यापूर्वो द्विगुः P.II. 1.23, and कर्मधारय as तत्पुरुषः समानाधिकरणः कर्मधारयः P. I.2.42. The Mahabhasyakara has described तत्पुरुष as उत्तरपदार्थप्रधानस्तत्पुरुषः: confer, compare M.Bh. on II.1.6, II.1.20, II.1.49, et cetera, and others, and as a consequence it follows that the gender of the tatpurusa compound word is that of the last member of the compound; confer, compare परवल्लिङ द्वन्द्वतत्पुरुषयोः P. II.4. 26; cf also तत्पुरुषश्चापि कः परवल्लिङं प्रयोजयति । यः पूर्वपदार्थप्रधानः एकदेशिसमासः अर्धपिप्पलीति । यो ह्युत्तरपदार्थप्रधानो दैवकृतं तस्य परवल्लिङ्गम्, Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on II.4.26. Sometimes, the compound gets a gender different from that of the last word; confer, compare P.II.4.19-31, The tatpurusa compound is optional as generally all compounds are, depending as they do upon the desire of the speaker. Some tatpurusa compounds such as the प्रादितत्पुरुष or उपपदतत्पुरुष are called नित्य and hence their constitutent words, with the case affixes applied to them, are not noticed separately; confer, compare P.II.2.18,19, In some cases अ as a compound-ending ( समासान्त ) is added: exempli gratia, for example राजघुरा, नान्दीपुरम् ; confer, compare P. V.4.74; in some cases अच् ( अ ) is added: confer, compare P.V-4 75 o 87: while in some other cases टच् ( अ ) is added, the mute letter ट् signifying the addition of ङीप् ( ई) in the feminine gender; confer, compareP.V.4. 91-1 12. For details See p.p. 270-273 Mahabhasya Vol.VII published by the D. E. Society, Poona.
dṛṣṭaseen in use in Vedic Literature, or Classical Literature, or in the talk of cultured people; said in connection with words which a grammarian tries to explain; confer, compare दृष्टानुविधिश्छन्दसि भवति' Vyadi Pari. Patha 68.
dhātua root; the basic word of a verbal form,defined by the Bhasyakara as क्रियावचनो धातुः or even as भाववचने धातु:, a word denoting a verbal activity. Panini has not defined the term as such, but he has given a long list of roots under ten groups, named dasagani, which includes about 2200 roots which can be called primary roots as contrasted with secondary roots. The secondary roots can be divided into two main groups ( l ) roots derived from roots ( धातुजधातवः ) and (2) roots derived from nouns ( नामधातवः ). The roots derived from roots can further be classified into three main subdivisions : (a) causative roots or णिजन्त, (b) desiderative roots or सन्नन्त, (c) intensive roots or यङन्त and यङ्लुगन्त: while roots derived from nouns or denominative roots can further be divided into क्यजन्त, काम्यजन्त, क्यङन्त, क्यषन्त, णिङन्त, क्विबन्त and the miscellaneous ones ( प्रकीर्ण ) as derived from nouns like कण्डू( कण्ड्वादि ) by the application of the affix यक् or from nouns like सत्य,वेद, पाश, मुण्ड,मिश्र, et cetera, and others by the application of the affix णिच्. Besides these, there are a few roots formed by the application of the affix अाय and ईय (ईयङ्). All these roots can further be classified into Parasmaipadin or Parasmaibhasa, Atmanepadin or Atmanebhasa and Ubhayapadin. Roots possessed of a mute grave ( अनुदात्त ) vowel or of the mute consonant ङ् added to the root in the Dhatupatha or ending in the affixes यड्, क्यङ् et cetera, and others as also roots in the passive voice are termed Atmanepadin: while roots ending with the affix णिच् as also roots possessed of a mute circumflex vowel or a mute consonant ञ़़् applied to them are termed Ubhayapadin. All the rest are termed Parasmaipadin. There are some other mute letters or syllables applied by Panini to the roots in his Dhatupatha for specific purposes; exempli gratia, for example ए at the end to signify prohibition of vrddhi to the penultimate अ in the aorist, exempli gratia, for example अकखीत् confer, compare P. VII.2.5; इर् to signify the optional substitution of अ or अङ् for the affix च्लि of the aorist, exempli gratia, for example अभिदत्, अभैत्सीत् ; confer, compare P.III. 1.57; उ to signify the optional application of the augment इ ( इट् ) before क्त्वा exempli gratia, for example शमित्वा, शान्त्वा; confer, compare P.VII. 2. 56; ऊ to signify the optional application of the augment इ ( इट् ) exempli gratia, for example गोप्ता, गेीपिता, confer, compare P.VII.2.44; अा to signify the prohibition of the augment इट् in the case of the past passive voice. participle. exempli gratia, for example क्ष्विण्णः, स्विन्नः, confer, compare P. VII.2.16; इ to signify the addition of a nasal after the last vowel e. g. निन्दति from निदि, confer, compare P. VII.1.58: ऋ to signify the prohibition of ह्रस्व to the penultimate long vowel before णिच्, e. g. अशशासत्, confer, compare P.VII. 4.2;लृ to signify the substitution of अङ् for च्लि in the aorist, exempli gratia, for example अगमत् confer, compare P. III.1.55: ओ to signify the substitution of न् for त् of the past passive voice.participle. exempli gratia, for example लग्नः, अापीनः, सूनः, दून: et cetera, and others; confer, compare P. VIII. 2.45. Besides these,the mute syllables ञि, टु and डु are prefixed for specific purposes; confer, compare P. III.2.187, III.3.89 and III. 3.88. The term धातु is a sufficiently old one which is taken by Panini from ancient grammarians and which is found used in the Nirukta and the Pratisakhya works, signifying the 'elemental (radical)base' for nouns which are all derivable from roots according to the writers of the Nirukta works and the grammarian Siktaayana; confer, compare नाम च धातुजमाह निरुक्ते व्याकरणे शकटस्य च तोकम् Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P. III.3.1. Some scholars have divided roots into six categories; confer, compare तत्र धातवः षोढा (a) परिपठिताः भूवादयः, (b) अपरिपठता अान्दोलयत्यादयः, (c) परिपठितापरिपठिताः ( सूत्रपठिताः ) स्कुस्कम्भस्तम्भेत्यादयः, (d) प्रत्ययधातवः सनाद्यन्ताः, (e) नामघातवः कण्ड्वादयः, (f) प्रत्ययनामधातवः होडगल्भक्ली. बप्रभृतयः; cf Sringara Prak. I. For details see M.Bh. on P.I.3.I as also pp 255, 256 Vol. VII Vyakarana-Mahabhasya published by the D.E. Society, Poona.
nyāsoddyotaa learned commentary on Jinendrabuddhi's Kāśikāvivaraṇapañjikā, a commentary on the Kāśikāvṛtti by Jinendrabuddhi, called Nyāsa. written by Mallinātha, the standard commentator of prominent Sanskrit classics.
pāṇinithe illustrious ancient grammarian of India who is wellknown by his magnum opus, the Astaka or Astaadhyaayi which has maintained its position as a unique work on Sanskrit grammar unparalleled upto the present day by any other work on grammar, not only of the Sanskrit language, but ofany other language, classical as well as spoken. His mighty intelligence grasped, studied and digested not only the niceties of accentuation and formation of Vedic words, scattered in the vast Vedic Literature of his time, but those of classical words in the classical literature and the spoken Sanskrit language of his time in all its different aspects and shades, noticeable in the various provinces and districts of the vast country. The result of his careful study of the Vedic Literature and close observation ofeminine.the classical Sanskrit, which was a spoken language in his days, was the production of the wonderful and monumental work, the Astaadhyaayi,which gives an authoritative description of the Sanskrit language, to have a complete exposition of which,several life times have to be spent,in spite of several commentaries upon it, written from time to time by several distinguished scholars. The work is a linguist's and not a language teacher's. Some Western scholars have described it as a wonderful specimen of human intelligence,or as a notable manifestation of human intelligence. Very little is known unfortunately about his native place,parentage or personal history. The account given about these in the Kathaasaritsaagara and other books is only legendary and hence, it has very little historical value. The internal evidence, supplied by his work shows that he lived in the sixth or the seventh century B. C., if not earlier, in the north western province of India of those days. Jinendrabuddhi, the author of the Kaasikavivaranapanjikaa or Nyasa, has stated that the word शलातुर् mentioned by him in his sUtra ( IV. 3.94 ) refers to his native place and the word शालातुरीय derived by him from the word शलातुर by that sUtra was, in fact his own name, based upon the name of the town which formed his native placcusative case. Paanini has shown in his work his close knowledge of, and familiarity with, the names of towns, villages, districts, rivers and mountains in and near Vaahika, the north-western Punjab of the present day, and it is very likely that he was educated at the ancient University of Taksasilaa. Apart from the authors of the Pratisaakhya works, which in a way could be styled as grammar works, there were scholars of grammar as such, who preceded him and out of whom he has mentioned ten viz., Apisali, Saakataayana, Gaargya, Saakalya, Kaasyapa, Bharadwaja, Gaalava, Caakravarmana Senaka and Sphotaayana. The grammarian Indra has not been mentioned by Paanini, although tradition says that he was the first grammarian of the Sanskrit language. It is very likely that Paanini had no grammar work of Indra before him, but at the same time it can be said that the works of some grammarians , mentioned by Panini such as Saakaatyana, Apisali, Gaargya and others had been based on the work of Indra. The mention of several ganas as also the exhaustive enumeration of all the two thousand and two hundred roots in the Dhaatupaatha can very well testify to the existence of systematic grammatical works before Paarnini of which he has made a thorough study and a careful use in the composition of his Ganapaatha and Dhaatupatha. His exhaustive grammar of a rich language like Sanskrit has not only remained superb in spite of several other grammars of the language written subsequently, but its careful study is felt as a supreme necessity by scholars of philology and linguistics of the present day for doing any real work in the vast field of linguistic research. For details see pp.151154 Vol. VII of Paatanjala Mahaabhsya, D. E. Society's Edition.
prayogaviṣayasphere or domain of the use of words; the whole Vedic and classical recognized literature: cf महान् हि शब्दस्य प्रयोगविषयः । सप्तद्वीपा वसुमती त्रयो लोकाः चत्वारो वेदाः साङ्गाः सरहस्याः बहुधा विाभन्नाः, एकशतमध्वर्युशाखाः, सहस्रवर्त्मा सामवेदः, एकविंशतिधा बाह् वृच्यम् , नवधाथर्वणो वेदो वाकोवाक्यामितिहासः पुराणं वैद्यकमित्येतावाञ्शब्दस्य प्रयोगविषयः Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). Ahnika 1. Vrt. 5
brahmarāśithe sacred Sanskrit alphabet given in the fourteen sutras of Mahesvara, named Aksarasamamnaya which is called ब्रह्मराशि as it contains the basic letters of शब्द which is Brahma according to Grammarians; confer, compare सोयमक्षरसमाम्नायो वाक्यसमाम्नायः पुष्पितः फलितश्चन्द्रतारकवत् प्रतिमण्डितो वेदितव्यो ब्रह्मराशिः Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). Ahnika 2 end; confer, compare also एते पञ्चषष्टिवर्णा ब्रह्मराशिरात्मवाचः V. Pr.VIII. 25.
madhyama(1)the middle person ( मध्यमपुरुष ), confer, compare युष्मद्युपपदे...मध्यम: P. I. 4.105; confer, compare also Nirukta of Yāska.VII. 7; (2) middling tone or effort confer, compare मध्यमेन स वाक्ययोग: Taittirīya Prātiśākhya.XVIII. 4, where the commentator explains the word as उच्चनीचसमाहारविलक्षण: वाक्प्रयोगः | the word मध्यमा is used in this sense as qualifying a mode of utterance. वृत्ति; confer, compare अभ्यासार्थे द्रुतां वृत्तिं प्रयोगार्थे तु मध्यमाम् ! Ṟ. Pr. XIII. 19; cf also चतुष्कला मध्यमायार्म् Ṛktantra Prātiśākhya. 32; (3) one of the seven modes of speech or tones. cf सप्त वाचः स्थानानि भवन्ति | उपांशुध्वाननिमदेापव्दिमन्मन्द्रमध्यमताराणि Taittirīya Prātiśākhya.XXIII.4 and 5 and also कण्ठे मध्यमम् XVIII.11 where the commentatator explains मध्यम as यत्र कण्ठे स्थाने प्रयोग उपलभ्यते तन्मध्यमं नाम षष्ठं वाचस्स्थानम् | (4) one of the seven musical notes originating or proceeding from the Svarita accent confer, compare, स्वारतप्रभवा ह्येते षड्जमध्यमपञ्चमाः Pāṇ Śikṣā.
mallināthaa reputed commentator on many classical poetic and dramatic works, who flourished in the fourteenth century. He was a scholar of Grammar and is believed to have written a commentary on the Śabdenduśekhara and another named न्यासोद्योत on the न्यास of जिनेन्द्रबुद्धि.
mahābhāṣyaliterally the great commentary. The word is uniformly used by commentators and classical Sanskrit writers for the reputed commentary on Pāṇini's Sūtras and the Vārttikas thereon by Patañjali in the 2nd century B. C. The commentary is very scholarly yet very simple in style, and exhaustive although omitting a number of Pāṇini's rules. It is the first and oldest existing commentary on the Pāṇini's Aṣṭādhyāyī. of Pāṇini, and, in spite of some other commentaries and glosses and other compendia, written later on to explain the Sutras of Panini, it has remained supremely authoritative and furnishes the last and final word in all places of doubt: confer, compare the remarks इति भाष्ये स्थितम्, इत्युक्तं भाष्ये, इत्युक्तमाकरे et cetera, and others scattered here and there in several Vyaakarana treatises forming in fact, the patent words used by commentators when they finish any chain of arguments. Besides commenting on the Sutras of Paanini, Patanjali, the author, has raised many other grammatical issues and after discussing them fully and thoroughly, given his conclusions which have become the final dicta in those matters. The work, in short, has become an encyclopedic one and hence aptly called खनि or अकर. The work is spread over such a wide field of grammatical studies that not a single grammatical issue appears to have been left out. The author appears to have made a close study of the method and explanations of the SUtras of Paanini given at various academies all over the country and incorporated the gist of those studies given in the form of Varttikas at the various places, in his great work He has thoroughly scrutinized and commented upon the Vaarttikas many of which he has approved, some of which he has rejected, and a few of which he has supplementedition Besides the Vaarttikas which are referred to a reference to some preceding word, not necessarily on the same page., he has quoted stanzas which verily sum up the arguments in explanation of the difficult sUtras, composed by his predecessors. There is a good reason to believe that there were small glosses or commentaries on the SUtras of Paanini, written by learned teachers at the various academies, and the Vaarttikas formed in a way, a short pithy summary of those glosses or Vrttis. . The explanation of the word वृत्तौ साधु वार्तिकम् given by Kaiyata may be quoted in support of this point. Kaiyata has at one place even stated that the argument of the Bhaasyakaara is in consonance with that of Kuni, his predecessor. The work is divided into eighty five sections which are given the name of lesson or आह्लिक by the author, probably because they form the subject matter of one day's study each, if the student has already made a thorough study of the subject and is very sharp in intelligence. confer, compare अह्ला निर्वृत्तम् आह्लिकम्, (the explanation given by the commentatiors).Many commentary works were written on this magnum opus of Patanjali during the long period of twenty centuries upto this time under the names टीका, टिप्पणी, दीपिका, प्रकाशिका, व्याख्या, रत्नावली, स्पूर्ति, वृत्ति, प्रदीप, व्याख्यानं and the like, but only one of them the 'Pradipa' of कैयटीपाध्याय, is found complete. The learned commentary by Bhartrhari, written a few centuries before the Pradipa, is available only in a fragment and that too, in a manuscript form copied down from the original one from time to time by the scribes very carelessly. Two other commentaries which are comparatively modern, written by Naarayanasesa and Nilakantha are available but they are also incomplete and in a manuscript form. Possibly Kaiyatabhatta's Pradipa threw into the background the commentaries of his predecessors and no grammarian after Kaiyata dared write a commentary superior to Kaiyata's Pradipa or, if he began, he had to abandon his work in the middle. The commentary of Kaiyata is such a scholarly one and so written to the point that later commentators have almost identified the original Bhasya with the commentary Pradipa and many a time expressed the two words Bhasya and Kaiyata in the same breath as भाष्यकैयटयोः ( एतदुक्तम् or स्पष्टमेतत् ).
yam(1)one of pair a twin letter available in pronunciation before a nasal letter and similar to it, when the nasal consonant is preceded by any one of the four consonants of the five classes; a transitional sound intervening between a non-nasal and the following nasal as a counterpart of the n6n-nasal: confer, compare वर्गेष्वाद्यानां चेतुर्णो पञ्चमे पर मध्ये यमो नाम पूर्वसदृशो वर्णः प्रातिशाख्ये प्रसिद्धः S.K. on P.व्व्III. l.1; (2) name given to the seven musical notes, found in the singing of Saaman; confer, compare मन्द्रमध्यमत्राख्येषु त्रिषु वाचः स्थानेषु प्रत्येकं सत स्थरभेदा भवन्ति कुष्टप्रथमद्वितीयतृतीयचतुर्थमन्द्रातित्वार्यः यमाः ' Taittirīya Prātiśākhya.XXIII. 13,14.
yuckrt affix यु changed into अन, (1) applied in the sense of 'a habituated agent' to intransitive roots in the sense of movement or utterance, to Atmanepadi roots beginning with a consonant, to the roots जु, चेकम् सृ, शुच्, कुघ्, as also to roots in the sense of decoration: exempli gratia, for example चलन:, शब्दन:: cf P.III. 2. 148-15I: (2) applied to causal roots, as also to the roots आस् श्रन्थ् and others in the sense of verbal activity when the word so formed has always the feminine gender; exempli gratia, for example कारणा, हृरणा, आसना, घट्टना,वेदना et cetera, and others; confer, compare P.III.3.107 and the Varttikas thereon; (3) applied to roots ending in अा and preceded by the indeclinables ईषद्, दुस् or सु in the sense of easy or difficult for obtainment and, wherever seen to any root in the Vedic language, as also to some other roots as found in actual use in the classical literature; e. g. ईषद्दानो गौर्मवता, दु्ष्पानः, सुपान: et cetera, and others सूपसदन:, दुर्योधनः, दुर्मर्षण: et cetera, and others, confer, compare P.III.8.128-130.
liṭan affix of the perfect tense; confer, compare परोक्षे लिट् P.III.2.115 for which the specific affixes णल्, अतुस् उस् et cetera, and others are substituted after roots which take Parasmaipada affixes. Before the lit affixes, a monosyllabic root is reduplicated while dissyllabic roots and denominative and other secondary roots, formed by adding an affix to an original root,take the affix अाम् after which all 'liț' personal endings are dropped and the forms of the roots कृ,भू and अस् with the necessary personal-endings, are placed immediately after the word ending in अाम् , but often with the intervention of a word or more in the Vedic language and rarely in the classical language; confer, compare तं पातयां प्रथममास पपात पश्चात् ; confer, compare कास्प्रत्ययादाममन्त्रे लिटि P.III.I. 35 to 42.
vickrt affix वि (which also becomes nil or zero) applied to a root in the sense of an agent, as observed in Vedic and classical use, as also to the root यज् with उप and roots ending in अा generally in Vedic Literature but sometimes in popu1ar language; confer, compare विजुपे छन्दसि । आतो मनिन्कनिबवनिपश्च। अन्येभ्योपि दृश्यन्ते | कीलालपाः, शुभ्ंयाः et cetera, and others Kas on P. III. 2.73, 74, 75.
veṣāyika(1)pertaining to the word विषय in the sutra विषयो देशे P. IV.2. 52; the term refers to the taddhita affix. affixes prescribed in the sense of ’country' or ’district' (विषय) in P. IV. 2.52-54 as contrasted with नैवासिक affixes prescribed in the sense of 'inhabited district' by P. IV. 2.69-80 (2) one of the three senses of the locative case, viz. the sense 'substratum' of the locative case, which is not physical but which is a topical one, forming an object or aim of an , action as specified by the word 'about'; confer, compare अधिकरणं नाम त्रिप्रकारं व्यापकमौपश्लेषिकं वैषयिकमिति |
śaraṇadevaa prominent grammarian of the Eastern school of Panini's system of grammar who lived in the thirteenth century and wrote works on Panini's grammar. His work named दुर्घटवृत्ति which ex. plains according to Panini's rules, the Varttikas thereon, and the Jnapakas deduced from them,the various words difficult to be explained, is much appreciated by scholars of grammar. He has quoted from a large number of classical works, and referred to many works of the Eastern grammarians who followed the Kasika school.
saṃsvāraa combination or collection of the Svaras or musical notes for purposes of singing the Sama hymns.
saptasvaralit, the seven accents; the term refers to the seven accents formed of the subdivisions of the three main Vedic accents उदात्त, अनुदात्त and स्वरित viz उदात्त, उदात्ततर, अनुदात्त, अनुदात्ततर, स्वरित, स्वरितोदात्त,and एकश्रुति: cf त एते तन्त्रे तरनिर्देशे सप्त स्वरा भवन्ति ( उदात: । उदात्ततरः । अनुदात्तः ! अनुदात्ततरः । स्वरित: । स्वरिते य उदात्तः सोन्येन विशिष्टः । एकश्रुतिः सप्तम: ॥ M. Bh on P. I. 2. 33. It is possible that these seven accents which were turned into the seven notes of the chantings of the samans developed into the seven musical notes which have traditionally come down to the present day known as सा रे ग म प ध नी; confer, compare उदात्ते निषादगान्धारौ अनुदात्ते ऋषभधैवतौ । स्वरितप्रभवा ह्येते षड्जमध्यमपञ्चमाः। Pāṇini. Siksa. The Vajasaneyi Pratisakhya mentions the seven accents differently; confer, compare उदात्तादयः परे सप्त । यथा-अभिनिहितक्षैप्र-प्राशश्लिष्ट-तैरोव्यञ्जन-तैरोविराम-पादवृत्तताथाभाव्याः Uvvata on V.Pr.I.l l4.
sāmavaśaname of a Samdhi or euphonic change of the type of the vowels अ, इ and उ being lengthened in some specified cases chiefly for the sake of music ( साम ) or metre. This lengthening is given the name प्लुति in the Rk Pratisakhya: confer, compare दीर्ध ह्रस्वो व्यञ्जनेन्यस्त्वृकाराद् यथादिष्टं सामवशः स सन्धिः | Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.)VII.1.
svara(l)vowel, as contrasted with a consonant which never stands by itself independently. The word स्वर is defined generally :as स्वयं राजन्ते ते स्वराः ( Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on pan. The word स्वर is always used in the sense of a vowel in the Pratisakhya works; Panini however has got the word अच् (short term or Pratyahara formed of अ in 'अइउण्' and च् at the end of एऔच् Mahesvara sutra 4 ) always used for vowels, the term स्वर being relegated by him to denote accents which are also termed स्वर in the ancient Pratisakhyas and grammars. The number of vowels, although shown differently in diferent ancient works, is the same, viz. five simple vowels अ,इ,उ, ऋ, लृ, and four diphthongs ए, ऐ, ओ, and अौ. These nine, by the addition of the long varieties of the first four such as आ, ई, ऊ, and ऋ, are increased to thirteen and further to twentytwo by adding the pluta forms, there being no long variety for लृ and short on for the diphthongs. All these twentytwo varieties have further subdivisions, made on the criterion of each of them being further characterized by the properties उदात्त, अनुदIत्त and स्वरित and निरनुनासिक and सानुनासिक. (2) The word स्वर also means accent, a property possessed exclusively by vowels and not by consonants, as they are entirely dependent on vowels and can at the most be said to possess the same accent as the vowel with which they are uttered together. The accents are mentioned to be three; the acute ( उदात्त ), the grave अनुदात्त and the circumflex (स्वरित) defined respectively as उच्चैरुदात्तः, नीचैरनुदात्तः and समाहारः स्वरितः by Panini (P. I. 2.29, 30,3l). The point whether समाहार means a combination or coming together one after another of the two, or a commixture or blending of the two is critically discussed in the Mahabhasya. (vide Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P. I. 2.31). There are however two kinds of svarita mentioned by Panini and found actually in use : (a) the independent स्वरित as possessed by the word स्वर् (from which possibly the word स्वरित was formed) and a few other words as also many times by the resultant vowel out of two vowels ( उदात्त and अनुदात्त ) combined, and (b) the enclitic or secondary svarita by which name, one or more grave vowels occurring after the udatta, in a chain, are called cf P. VIII. 2.4 VIII. 2.6 and VIII 4.66 and 67. The topic of accents is fully discussed by the authors of the Pratisakhyas as also by Panini. For details, see Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.) III. 1.19; T.Pr. 38-47 Vājasaneyi Prātiśākhya.I. 108 to 132, II. I.65 Atharvaveda Prātiśākhya. Adhyaya l padas 1, 2, 3 and Rk. Tantra 51-66; see also Kaiyata on P. I. 2.29; (3) The word स्वर is used also in the sense of a musical tone. This meaning arose out of the second meaning ' accent ' which itself arose from the first viz. 'vowel', and it is fully discussed in works explanatory of the chanting of Samas. Patanjali has given Seven subdivisions of accents which may be at the origin of the seven musical notes. See सप्तस्वर a reference to some preceding word, not necessarily on the same page..
     Vedabase Search  
7 results
     
sicaḥ of the netSB 7.2.52
sicyamānaḥ being squirted with waterSB 10.90.8-9
āsichoń shall come backCC Madhya 15.293
āsicya wettingSB 4.28.47
āsicyamānaḥ being always bathedSB 5.20.19
utsicyamāne payasi because of seeing that the milk was overflowingSB 10.9.5
utsicyamāne payasi because of seeing that the milk was overflowingSB 10.9.5
     DCS with thanks   
Results for sic16 results
     
sic noun (feminine) śic (Monier-Williams, Sir M. (1988))
a net (Monier-Williams, Sir M. (1988))
[gramm.] aorist [gramm.] the verb sic
Frequency rank 12732/72933
sic verb (class 4 ātmanepada) to besprinkle or moisten with (instr.) to cast or form anything out of molten metal etc. to dip to discharge to emit to emit semen to impregnate to infuse or pour into or on to scatter in small drops to shed to soak to sprinkle to steep
Frequency rank 1971/72933
sica noun (masculine) [gramm.] the verb sic
Frequency rank 70492/72933
sici noun (masculine) [gramm.] root sic
Frequency rank 70493/72933
aprasicyamāna adjective
Frequency rank 43982/72933
abhyāsic verb (class 6 parasmaipada) to pour on (Monier-Williams, Sir M. (1988))

Frequency rank 15449/72933
avasic verb (class 6 parasmaipada) to pour out (Monier-Williams, Sir M. (1988))
to pour upon (acc. or loc.) (Monier-Williams, Sir M. (1988))
to sprinkle (Monier-Williams, Sir M. (1988))

Frequency rank 8927/72933
āsic verb (class 6 parasmaipada) to be sprinkle (Monier-Williams, Sir M. (1988))
to fill up (Monier-Williams, Sir M. (1988))
to pour in (Monier-Williams, Sir M. (1988))
to pour on (Monier-Williams, Sir M. (1988))
to water (Monier-Williams, Sir M. (1988))
to wet (Monier-Williams, Sir M. (1988))

Frequency rank 9558/72933
utsic verb (class 6 parasmaipada) to cause to flow over (Monier-Williams, Sir M. (1988))
to make full (Monier-Williams, Sir M. (1988))
to make proud or arrogant (Monier-Williams, Sir M. (1988))
to pour upon (Monier-Williams, Sir M. (1988))

Frequency rank 9143/72933
upasic verb (class 6 parasmaipada) to pour upon (Monier-Williams, Sir M. (1988))
to sprinkle (Monier-Williams, Sir M. (1988))

Frequency rank 47692/72933
nirutsic verb (class 6 ātmanepada)
Frequency rank 56152/72933
parāsic verb (class 6 parasmaipada) to cast aside (Monier-Williams, Sir M. (1988))
to pour or throw away (Monier-Williams, Sir M. (1988))
to remove (Monier-Williams, Sir M. (1988))

Frequency rank 36636/72933
prasic verb (class 4 parasmaipada) to be watered i.e. refreshed (Monier-Williams, Sir M. (1988))
to emit (Monier-Williams, Sir M. (1988))
to fill (a vessel) (Monier-Williams, Sir M. (1988))
to pour out (Monier-Williams, Sir M. (1988))
to shed (Monier-Williams, Sir M. (1988))
to sprinkle (Monier-Williams, Sir M. (1988))
to water (Monier-Williams, Sir M. (1988))

Frequency rank 9891/72933
samāsic verb (class 6 parasmaipada) to instil (wisdom) into (acc.) to sprinkle or pour out together
Frequency rank 30758/72933
samprasic verb (class 6 parasmaipada) to flow out to issue
Frequency rank 69295/72933
saṃsic verb (class 6 parasmaipada) to cast to form to pour together to pour upon to sprinkle over
Frequency rank 8708/72933
Ayurvedic Medical
Dictionary
     Dr. Potturu with thanks
     
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alābu

Plant bottle gourd, bitter calbash gourd; fresh fruit of Lagenaria siceraria; L. vulgaris; L. leucantha.

āmaya

sickness, disease.

amlavetasa

Plant Himalayan rhubarb; Garcinia pedunculata; Rumex vesicarius; vinegar. Solena amplexicaulis a substitute. Garcinia pedunculata tree is also considered amlavetasa. Rheum emodi is used as another substitute. not yet identified.

āruka

1. hurting, injuring; 2. yak; 3. peach fruit, Prunus persica.

aśvinau

twin celestial physicians; divine physicians.

ātreya

teacher of Agniveśa and Bhela, physician at Takṣaśila.

āyurveda

the classical Indian system of medicine.

bala

physical strength; vigour; force; vitality.

basavarāja

physician and author of Basavarājīyam (15th – 16th Century ) of south India.

bharadvāja

a celestial āyurveda physician and student of Indra; skylark; planet Mars; bone.

bhāvamiśra

āyurveda physician of Kāśi (16th Century ), author of Bhāvaprakāśa.

bhiṣak,bhiṣaj

medical doctor; physician.

bhūta

demon; physical element.

brahmacarya

chaste life; celibacy before marriage; sexual restrain to promote physical, mental and spiritual health.

cakramarda

Plant Cassia tora, syn. Senna tora; sicklepod, foetic cassia.

cakrapāṇi

āyurveda physician of Bengal in 11th Century , author of Āyurveda dīpika, a commentary on Carakasamhita.

caraka

redactor of Agniveśa samhita; he was the court physician of the king Kanishka of Kushan dynasty, who reigned in the 1st and 2nd Century

carakasamhita

a classical text of ayurveda authored by Agniveśa and redacted by Caraka (2nd Century )

catuṣpāda

four legged; the band of physician, nurse, medicine and patient.

deha

physical body.

dhanvantarinighanṭu

glossary of āyurveda authored by Dhanvantari, a physician in the court of Vikramaditya.

gandharva

celestial musicians; heavenly singers.

gandharvakāya

connoisseur body; a person with the traits of celestial personalities like love for garlands, perfumes, fondness of songs and music and love making.

gayadāsa

āyurveda physician of Bengal region (10th-11th Century AD) and author of Nyāyacandrikāpañjika, a commentary on Suśrutasamhita.

hārīta

physician and author contemporary to Agnivesa and student of Atreya.

jīvaka

personal physician to Buddha, and renowned surgeon in the – 5th Century , who authored Jīvakatantra.

kaivalya

final liberation from life; Jain concept of release from physical world.

kalpa

1. cosmic eon; 2. preparation; 3. treatment of the sick; 4. ritual (one of the vedāngas); 5. idea.

kāmātura

lovesick, luster.

kaṭuvira

Plant chillies, Capsicum annuum.

kavirāja

āyurveda physician in Bengal region.

kṛṣnasarṣapa

Plant blakc mustad, Brasica nigra.

liṅgaśarīra

astral body, counterpart of the physical body, phantom body.

medhya

1. good for the intelligence, brain tonic; 2. Plant blue flag, Iris versicolor, I. nepalensis.

meghanātha

Jain āyurveda physician specialized in paediatrics, mentioned in Kalyāṇakāraka.

nidānapañcaka

aetiological pentad or five clinical barometers. Mādhavanidāna describes them as prodromal symptoms (pūrvarūpa), manifested symptoms (rūpa), pathogenesis (samprāpti), allaying by suitable remedies or predilection (upaśaya) and eight kinds of physical examination (aṣṭavidhaparīkṣa).

nirvāṇa

Buddhist concept of release from physical life; final liberation.

pīlu

1. Plant toothbrush tree, Salvadora persica; 2. atom, tiniest part of matter.

prāṇācārya

physician, medical doctor.

rājakṣavaka

Plant kind of mustard, Brassica juncea.

rāmāphala

netted custard apple, Annona reticulata; native to Americas and not dealt with in classical ayurvedic texts.

rathakṣobha

jolts due to riding on wooden carts; travel sickness.

śarīrasthāna

chapter on embodied person; part of ayurveda treatises dealing with human body and its physical and psychological disposition.

sarṣapa

mustard, Brassica campestris, sarṣapataila mustard oil.

sidhma

one of eighteen varieties of kuṣṭa, pityriasis versicolor, black patches.

suniṣanna

Plant 1. small water clover, Marselia minute, M. quadrifolia; 2. rohida tree, Blepheris persica; 3. plumed cockscomb, Celosia argentea.

uṭingana

Plant rohida tree, Blepheris persica.

vaidya

physician, medical doctor.

vāritara,vāritaratva

float on water; a test for improperly processed metal. This is one of the physical analytical parameters for bhasma, and is applied to study the lightness and fineness of prepared bhasma.

vāsā

Plant Malabar nut tree, vasaka, leaves of Adhatoda vasica, vāsāvalehya confection preparation used in the treatment of respiratory diseases.

vedana

pain, vedanasthapana analgesic

vīrataru

Plant sickle bush, Dichrostachys cinere

yamadamṣṭra

(yama.damṣṭra) 1. Yama’s tooth; 2. kind of poison; 3. last eight days of Aṣvini and whole of Kārtīka months considered as a period of general sickness.

yoṣāpasmāra

(yoṣa.apasmāra) hysteria; A mental disorder characterized by emotional excitability and sometimes by amnesia or a physical deficit, such as paralysis, or a sensory deficit, without an organic cause.

     Wordnet Search "sic" has 5 results.
     

sic

abhiman, utsic, udi, kak   

ahamanyajanya abhimānānukūlaḥ vyāpāraḥ।

kiñcit stutyā saḥ ātmānaṃ paṇḍitam amanyata।

sic

sic, avasic, niṣic, saṃsic, ukṣ, prokṣ, samukṣ, abhyukṣ   

payasā vā anyena dravyeṇa īṣadārdrīkaraṇānukūlaḥ vyāpāraḥ।

kṛṣakaḥ kṣetre oṣadhiṃ siñcati।

sic

sicayaḥ   

veṣaviśeṣaḥ- tat paridheyavastraṃ yad skandhāt ājānum āgulphaṃ vā śarīraṃ ācchādayati।

prācīne samaye dhanāḍhyāḥ janāḥ sicayasya paridhānaṃ kurvanti sma।

sic

utkvath, utsic   

dravapadārtham ūṣṇīkṛtya utkvathanānukūlaḥ phenajanakaḥ vyāpāraḥ।

mayā pānārthaṃ jalam utkvathyate।

sic

sic   

secanānukūlavyāpāraḥ।

prātaḥ gṛhiṇī prāṅgaṇe jalaṃ siñcati।









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