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ibhas: masculine nominative singular stem: ibha
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"ibhas" has 79 results.
gopāla( देव )known more by the nickname of मन्नुदेव or मन्तुदेव who lived in the eighteenth century and wrote several commentary works on well-known grammatical treatises such as the Vaiyakaranabhusanasara, Laghusabdendusekhara, Paribhasendusekhara et cetera, and others He is believed to have written a treatise on Ganasutras also; (2) a grammarian different from the a reference to some preceding word, not necessarily on the same page. मन्नुदेव who has written an explanatory work on the Pratisakhyas;.(3) a scholar of grammar, different from the a reference to some preceding word, not necessarily on the same page. who is believed to have written a gloss named Visamarthadipika on the Sarasvata Vyakarana at the end of the sixteenth century.
govindawriter of a commentary known as अम्बाकर्त्री by reason of that work beginning with the stanza अम्बा कर्त्रींó, on the Paribhasendusekhara of Nagesa.
ciccandrikāname of a commentary on the Paribhasendusekhara written by Vishnu Shastri Bhat, in reply to the treatise named दूषकरदोद्भेदः See विष्णुशास्त्रिन्. For details see pp. 39, 40 of Vyakarana Mahabhasya Vol. VII. published by the D.E. Society, Poona.
citprabhāname of a commentary on the Paribhasendusekhara by ब्रह्मानन्दसरस्वती.
cidrūpāśrayanamed also चिद्रूपाश्रम who wrote a learned commentary named विषमी on the Paribhasendusekhara of Nagesabhatta
jātabahiraṅgāsiddhatvainvalidity of a Bahiranga operation that has already taken place by virtue of the Antaranga-paribhasa-असिद्धं बहिरङ्गमन्तरङ्ङ्गेthat which is ' bahiranga' is regarded as not having taken effect when that which is 'antarahga' is to take effect. For details see Par. Sek. Paribhasa 50.
jñāpakaliterallyindirect or implicit revealer; a word very commonly used in the sense of an indicatory statement. The Sutras, especially those of Pinini, are very laconic and it is believed that not a single word in the Sutras is devoid of purpose. If it is claimed that a particular word is without any purpose, the object of it being achieved in some other way, the commentators always try to assign some purpose or the other for the use of the word in the Sutra. Such a word or words or sometimes even the whole Sutra is called ज्ञापक or indicator of a particular thing. The Paribhasas or rules of interpretation are mostly derived by indication(ज्ञापकसिद्ध) from a word or words in a Sutra which apparently appear to be व्यर्थ or without purpose, and which are shown as सार्थक after the particular indication ( ज्ञापन ) is drawn from them. The ज्ञापक is shown to be constituted of four parts, वैयर्थ्य, ज्ञापन, स्वस्मिञ्चारितार्थ्य and अन्यत्रफल. For the instances of Jñāpakas, see Paribhāșenduśekhara. Purușottamadeva in his Jñāpakasamuccaya has drawn numerous conclusions of the type of ज्ञापन from the wording of Pāņini Sūtras. The word ज्ञापक and ज्ञापन are used many times as synonyms although ज्ञापन sometimes refers to the conclusions drawn from a wording which is ज्ञापक or indicator. For instances of ज्ञापक, confer, compareM.Bh. on Māheśvara Sūtras 1, 3, 5, P. Ι.1. 3, 11, 18, 23, 51 et cetera, and others The word ऊठ् in the rule वाह ऊठ् is a well known ज्ञापक of the अन्तरङ्गपरिभाषा. The earliest use of the word ज्ञापक in the sense given a reference to some preceding word, not necessarily on the same page., is found in the Paribhāșāsūcana of Vyādi. The Paribhāșā works on other systems of grammar such as the Kātantra; the Jainendra and others have drawn similar Jñāpakas from the wording of the Sūtras in their systemanuscript. Sometimes a Jñāpaka is not regularly constituted of the four parts given a reference to some preceding word, not necessarily on the same page.;it is a mere indicator and is called बोधक instead of ज्ञापक्र.
tattvādarśaname of a commentary on the Paribhasendusekhara written by M. M. Vasudev Shastri Abhyankar in 1889 A. D. The commentary is more critical than explanatory,wherein the author has given the purpose and the gist of the important Paribhasas and has brought out clearly the differences between the school of Bhattoji and the school of Nagesa in several important matters.
tācchabdya(1)use of a word for that word (of which the sense has been conveyed); the expression तादर्थ्या त्ताच्छब्द्यम् is often used by grammarians just like a Paribhasa; confer, compare अस्ति तादर्थ्यात्ताच्छब्द्यम् । बहुव्रीह्यर्थानि पदानि बहुव्रीहिरिति Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P. I.1.29; similarly तृतीयासमास;for तृतीयार्थानि पदानि M.Bh. on P.I.1.30 or समासार्थे शास्त्रं समासः Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P.I.2.43; (2) use of a word for that word of which there is the vicinity; confer, compare अथवा साहचर्यात् ताच्छब्द्यं भविष्यति। कालसहचरितो वर्णः। वर्णॊपि काल एव; Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P.I.2.27 where the letter उ is taken in the sense of time required for its utterance, the reason being that sound and time go together; confer, compare also M.Bh. on P.I.2.70, IV.3.48, V.2.79; (3) use of a word for that which resides there; confer, compare तात्स्थ्यात्ताच्छब्द्यं भविष्यति M.Bh. on V.4.50 Vart. 3. At all the a reference to some preceding word, not necessarily on the same page. places, the use of one word for another is by Laksana.
taittirīyaprātiśākhyacalled also कृष्णयजुःप्रातिशाख्य and hence representing possibly all the different branches or Sakhas of the कृष्णयजुर्वेद, which is not attributed definitely to a particular author but is supposed to have been revised from time to time and taught by various acaryas who were the followers of the Taittiriya Sakha.The work is divided into two main parts, each of which is further divided into twelve sections called adhyayas, and discusses the various topics such as letters and their properties, accents, euphonic changes and the like, just as the other Pratisakhya works. It is believed that Vararuci, Mahiseya and Atreya wrote Bhasyas on the Taittiriya Pratisakhya, but at present, only two important commentary works on it are available(a) the 'Tribhasyaratna', based upon the three Bhasyas mentioned a reference to some preceding word, not necessarily on the same page. as the title shows, written by Somayarya and (b) the 'Vaidikabharana' written by Gopalayajvan. For details see Introduction to 'Taittiriya Pratisakhya' edition Govt Oriental Library Series, Mysore.
tripathagāname of a commentary on the Paribhasendusekhara written by Raghavendracarya Gajendragadkar, a resident of Satara and a pupil of Nilakanthasastri Thatte. He lived in the second half of the eighteenth and first half of the nineteenth century and wrote comentaries on important grammar works.
triśikhāname of a commentary on the Paribhasendusekhara written by Laksminrsimha in the 18th century.
tryambakaa grammarian of the nineteenth century, who resided at Wai in Satara District and wrote a commentary on the Paribhasendusekhara which is named त्र्यम्बकी after the writer.
tryambakīa commentary on the Paribhasendusekhae by म्बव्यकः see त्र्यम्बक.
durgasiṃhathe famous commentator of the Katantra sutras, whose Vrtti on the sutras is the most popular one. It is called , कातन्त्रसूत्रवृत्ति or कातन्तवृत्ति or दौर्गसिंहीवृत्ति , also. A work on Paribhasas named परिभाषावृति, in which Paribhasas are explained and established as based on the Katantra Vyakarana sutras, is attributed to Durgasimha. It is doubtful whether this commentator Durgasimha is the same as Durgacarya, the famous commentator of Yaska's Nirukta. There is a legend that Durgasimha was the brother of Vikramaditya, the founder of the Vikrama Era. Besides the gloss on the Katantra sutras, some grammar works such as a gloss on the unadi sutras, a gloss ( वृत्ति ) on Kalapa-Vyakarana Sutras, a commentary on Karakas named षट्कारकरत्न, Namalinganusasana and Paribhasavrtti are ascribed to Durgasimha. Some scholars believe that the term अमरसिंह was only a title given to Durgasimha for his profound scholarship, and it was Durgasimha who was the author of the well-known work Amarakosa.
durvalācāryaa grammarian who wrote a treatise on grammar दुर्वलीयव्याकरण, named after him. Besides this treatise, he has written commentaries on Nagesa's Laghumanjusa and Paribhasendusekhara.
dūṣakaradodbhedaname of a commentary, on the Paribhasendusekhara of Nagesa, believed to have been written by Gopalacārya Karhadkar, a grammarian of the 19th century and attributed to Bhimacarya. This commentary, which was written to criticize the commentary written by Visnusastri Bhat, was again criticized in reply by Visnusastri Bhat in his Ciccandrika ( चिच्चन्द्रिका ). See विष्णुशास्त्री भट.
deśaliterally place; (l) original place of articulation: confer, compare अदेशे वा वचनं व्यञ्जनस्य, Ṛgvedaprātiśākhya by Śaunaka ( Sanskrit Sāhityapariṣad Edition, Calcutta.) XIV. 5; (2) place of origin; उच्चारणस्थान: (3) place of inferential establishment of a Paribhasa et cetera, and others परिभाषादेशः उद्देशः Par. Sek. paribhāṣā. 2,3; (4) passage of the Samhita text, confer, compare.Taittirīya Prātiśākhya.I. 59.
dhātua root; the basic word of a verbal form,defined by the Bhasyakara as क्रियावचनो धातुः or even as भाववचने धातु:, a word denoting a verbal activity. Panini has not defined the term as such, but he has given a long list of roots under ten groups, named dasagani, which includes about 2200 roots which can be called primary roots as contrasted with secondary roots. The secondary roots can be divided into two main groups ( l ) roots derived from roots ( धातुजधातवः ) and (2) roots derived from nouns ( नामधातवः ). The roots derived from roots can further be classified into three main subdivisions : (a) causative roots or णिजन्त, (b) desiderative roots or सन्नन्त, (c) intensive roots or यङन्त and यङ्लुगन्त: while roots derived from nouns or denominative roots can further be divided into क्यजन्त, काम्यजन्त, क्यङन्त, क्यषन्त, णिङन्त, क्विबन्त and the miscellaneous ones ( प्रकीर्ण ) as derived from nouns like कण्डू( कण्ड्वादि ) by the application of the affix यक् or from nouns like सत्य,वेद, पाश, मुण्ड,मिश्र, et cetera, and others by the application of the affix णिच्. Besides these, there are a few roots formed by the application of the affix अाय and ईय (ईयङ्). All these roots can further be classified into Parasmaipadin or Parasmaibhasa, Atmanepadin or Atmanebhasa and Ubhayapadin. Roots possessed of a mute grave ( अनुदात्त ) vowel or of the mute consonant ङ् added to the root in the Dhatupatha or ending in the affixes यड्, क्यङ् et cetera, and others as also roots in the passive voice are termed Atmanepadin: while roots ending with the affix णिच् as also roots possessed of a mute circumflex vowel or a mute consonant ञ़़् applied to them are termed Ubhayapadin. All the rest are termed Parasmaipadin. There are some other mute letters or syllables applied by Panini to the roots in his Dhatupatha for specific purposes; exempli gratia, for example ए at the end to signify prohibition of vrddhi to the penultimate अ in the aorist, exempli gratia, for example अकखीत् confer, compare P. VII.2.5; इर् to signify the optional substitution of अ or अङ् for the affix च्लि of the aorist, exempli gratia, for example अभिदत्, अभैत्सीत् ; confer, compare P.III. 1.57; उ to signify the optional application of the augment इ ( इट् ) before क्त्वा exempli gratia, for example शमित्वा, शान्त्वा; confer, compare P.VII. 2. 56; ऊ to signify the optional application of the augment इ ( इट् ) exempli gratia, for example गोप्ता, गेीपिता, confer, compare P.VII.2.44; अा to signify the prohibition of the augment इट् in the case of the past passive voice. participle. exempli gratia, for example क्ष्विण्णः, स्विन्नः, confer, compare P. VII.2.16; इ to signify the addition of a nasal after the last vowel e. g. निन्दति from निदि, confer, compare P. VII.1.58: ऋ to signify the prohibition of ह्रस्व to the penultimate long vowel before णिच्, e. g. अशशासत्, confer, compare P.VII. 4.2;लृ to signify the substitution of अङ् for च्लि in the aorist, exempli gratia, for example अगमत् confer, compare P. III.1.55: ओ to signify the substitution of न् for त् of the past passive voice.participle. exempli gratia, for example लग्नः, अापीनः, सूनः, दून: et cetera, and others; confer, compare P. VIII. 2.45. Besides these,the mute syllables ञि, टु and डु are prefixed for specific purposes; confer, compare P. III.2.187, III.3.89 and III. 3.88. The term धातु is a sufficiently old one which is taken by Panini from ancient grammarians and which is found used in the Nirukta and the Pratisakhya works, signifying the 'elemental (radical)base' for nouns which are all derivable from roots according to the writers of the Nirukta works and the grammarian Siktaayana; confer, compare नाम च धातुजमाह निरुक्ते व्याकरणे शकटस्य च तोकम् Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P. III.3.1. Some scholars have divided roots into six categories; confer, compare तत्र धातवः षोढा (a) परिपठिताः भूवादयः, (b) अपरिपठता अान्दोलयत्यादयः, (c) परिपठितापरिपठिताः ( सूत्रपठिताः ) स्कुस्कम्भस्तम्भेत्यादयः, (d) प्रत्ययधातवः सनाद्यन्ताः, (e) नामघातवः कण्ड्वादयः, (f) प्रत्ययनामधातवः होडगल्भक्ली. बप्रभृतयः; cf Sringara Prak. I. For details see M.Bh. on P.I.3.I as also pp 255, 256 Vol. VII Vyakarana-Mahabhasya published by the D.E. Society, Poona.
dhvanitasuggested, as opposed to उक्त expressed; the word is found frequently used in the Paribhasendusekhara and other works in connection with such dictums as are not actually made, but indicated in the Mahabhasya.
nāgeśathe most reputed modern scholar of Panini's grammar, who was well-versed in other Sastras also, who lived in Benares in the latter half of the seventeenth and the first half of the eighteenth century. He wrote many masterly commentaries known by the words शेखर and उद्द्योत on the authoritative old works in the different Sastras, the total list of his small and big works together well nigh exceeding a hundredition He was a bright pupil of Hari Diksita, the grandson of Bhattoji Diksita. He was a renowned teacher also, and many of the famous scholars of grammar in Benares and outside at present are his spiritual descendants. He was a Maharastriya Brahmana of Tasgaon in Satara District, who received his education in Benares. For some years he stayed under the patronage of Rama, the king of Sringibera at his time. He was very clever in leading debates in the various Sastras and won the title of Sabhapati. Out of his numerous works, the Mahābhāṣya-Pradīpoddyota by Nāgeśa.on Kaiyata's Mahabhasyapradipa, the Laghusabdendusekhara on the Siddhanta Kaumudi and the Paribhasendusekhara are quite wellknown and studied by every one who wishes to get proficiency in Panini's grammar. For details see pp. 21-24 and 401-403, Vol. VII of the Patanjala Mahabhasya edition D. E. Society, Poona.
nāvyavadhānanecessary intervention; confer, compare येन नाव्यवधानं तेन व्यवहितेपि वचनप्रामाण्यात्, a statement which is looked upon as a general statement of the ' nature of Paribhasa occurring in the Mahabhasya on P. VII. 2.3.
nitya(1)eternal, as applied to word or Sabda in contrast with sound or dhvani which is evanescent (कार्य ). The sound with meaning or without meaning,made by men and animals is impermanent; but the sense or idea awakened in the mind by the evanescent audible words on reaching the mind is of a permanent or eternal nature; confer, compare स्फोटः शब्दो ध्वनिस्तस्य व्यायामादुपजायते; confer, compare also व्याप्तिमत्त्वा्त्तु शब्दस्य Nir.I.1 ; (2) constant; not liable to be set aside by another; confer, compare उपबन्धस्तु देशाय नित्यम्, न रुन्धे नित्यम्। नित्यशब्दः प्राप्त्यन्तरानिषेधार्थः T.Pr.I.59, IV.14; (3) original as constrasted with one introduced anew such as an augment; confer, compare Taittirīya Prātiśākhya.VI.14; (4) permanently functioning, as opposed to tentatively doing so; confer, compare नित्यविरते द्विमात्रम् Ṛktantra Prātiśākhya.37; (5) unchangeable, permanent, imperishable; confer, compare अयं नित्यशब्दोस्त्येव कूटस्थेष्वविचालिषु भावेषु वर्तते M.Bh. on P. VIII. 1.4; (6) always or invariably applying, as opposed to optional; the word in this sense is used in connection with rules or operations that do not optionally apply; confer, compare उपपदसमासो नित्यसमासः, षष्ठीसमासः पुनार्वेभाषा; Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P.II.2.19; (7) constant,as applied to a rule which applies if another simultaneously applying rule were to have taken effect, as well as when that other rule does not take effect; confer, compare क्वचित्कृताकृतप्रसङ्गमात्रेणापि नित्यता Par. Sek. Pari 46. The operations which are nitya according to this Paribhasa take effect in preference to others which are not 'nitya', although they may even be 'para'; confer, compare परान्नित्यं बलवत् Par. Sek. Pari. 42.
nityānandaparvatīyaa scholar of Sanskrit Grammar who wrote glosses on the Mahabhasyapradipa, on the Laghusabdendusekhara and on the Paribhasendusekhara. He was a resident of Benares where he coached many pupils in Sanskrit Grammar. He lived in the first half of the nineteenth century.
nimitta(1)the formal cause of a grammatical operation; confer, compare निमित्ताभावे नैमित्तिकस्याप्यभाव; given as a Paribhasa by many grammarians like Vyadi, Siradeva and others; confer, compare also प्रकृत्युपपदोपाधयो निमित्तं प्रत्ययेा निमित्ती M.Bh. on III.1.1 Vart. 2; (2) distinguishing sign यः प्रेक्षापूर्वकारी भवति स: अध्रुवेण निमित्तेन ध्रुवं निमित्तमुपादत्ते वेदिकां पुण्डरीकं वा, M.Bh. on I.1.26 Vart.5.
nirdiṣṭaparibhāṣāa popular name of the Paribhasa तस्मिन्निति निर्दिष्टे पूर्वस्य । confer, compare किं चेह निर्दिष्टपरिभाषाप्रवृत्तिर्दुर्वचा । Pari. Bhaskara Pari. 97.
nirdhāraṇa(1)selection of one or some out of many; confer, compare जातिगुणाक्रियाभिः समुदायादेकदेशस्य पृथक्करणं निर्धारणम् । मनुष्याणां मनुष्येषु वा क्षत्रियः शूरतमः Kāśikā of Jayāditya and Vāmana. on P. II.2.10 as also on II.3.4l; (2) determined or definite sense to the exclusion of another, generally on the strength of the indeclinable एव which is expressed or understood. The word नेिर्धारण is used for अवधारण in this sense; confer, compare यत एवकारस्ततोन्यत्रावधारणम् a maxim used as a Paribhasa by some grammarians; cf; also धातोस्तन्निमित्तस्यैव । धात्ववधारणं यथा स्यात्तन्निमित्तावधारणं मा भूदिति Kāśikā of Jayāditya and Vāmana. on P. VI. 1.81.
nīlakaṇṭhadīkṣitaa famous grammarian of the seventeenth century who wrote an independent work on the Paribhasas in Vyakarana named Paribhasavrtti. This Vrtti is referred to in the Paribhsendusekhara by Nagesabhatta and the views expressed in it are severely criticised in the commentary गदा.
paribhāṣāan authoritative statement or dictum, helping (1) the correct interpretation of the rules (sūtras) of grammar, or (2) the removal of conflict between two rules which occur simultaneously in the process of the formation of words, (पदसिद्धि), or (3) the formation of correct words. Various definitions of the word परिभाषा are given by commentators, the prominent ones beingपरितो व्यापृतां भाषां परिभाषां प्रचक्षते(न्यास);or, परितो भाष्यते या सा परिभाषा प्रकीर्तिता. The word is also defined as विधौ नियामकरिणी परिभाषा ( दुर्गसिंहवृत्ति ). परिभाषा can also be briefiy defined as the convention of a standard author. Purusottamadeva applies the word परिभाषा to the maxims of standard writers, confer, compare परिभाषा हिं न पाणिनीयानि वचनानि; Puru. Pari. 119; while Haribhaskara at the end of his treatise परिभाषाभास्कर, states that Vyaadi was the first writer on Paribhaasas. The rules तस्मिन्निति निर्दिष्टे पूर्वस्य, तस्मादित्युत्तरस्य and others are in fact Paribhaasa rules laid down by Panini. For the difference between परिभाषा and अधिकार, see Mahabhasya on II.1.1. Many times the writers of Sutras lay down certain conventions for the proper interpretation of their rules, to which additions are made in course of time according to necessities that arise, by commentators. In the different systems of grammar there are different collections of Paribhasas. In Panini's system, apart from commentaries thereon, there are independent collections of Paribhasas by Vyadi, Bhojadeva, Purusottamadeva, Siradeva, Nilakantha, Haribhaskara, Nagesa and a few others. There are independent collections of Paribhasas in the Katantra, Candra, Sakatayana,Jainendra and Hemacandra systems of grammar. It is a noticeable fact that many Paribhasas are common, with their wordings quite similar or sometimes identical in the different systemanuscript. Generally the collections of Paribhasas have got scholiums or commentaries by recognised grammarians, which in their turn have sometimes other glosses or commentaries upon them. The Paribhaasendusekhara of Nagesa is an authoritative work of an outstanding merit in the system of Paninis Grammar, which is commented upon by more than twenty five scholars during the last two or three centuries. The total number of Paribhasas in the diferent systems of grammar may wellnigh exceed 500. See परिभाषासंग्रह.
paribhāṣāprakāśāan independent treatise explaining the various Paribhasas in the system of Panini's grammar, written by Visnusesa of the famous SeSa family.
paribhāṣāpradīpārcisa scholarly independent treatise on Vyakarana Paribhasas written by Udayamkara Pathaka, called also Nana Pathaka, a Nagara Brahmana, who lived at Benares in the middle of the 18th century A. D. He has also written commentaries on the two Sekharas of Naagesa.
paribhāṣābhāskara(1)a treatise on the Paribhasas in Panini's grammar written by Haribhaskara Agnihotri, son of Appajibhatta Agnihotri, who lived in the seventeenth century : (2) a treatise on Paniniparibhasas, as arranged by Siradeva, written by Sesadrisuddhi,
paribhāṣārthasaṃgrahṛa treatise on the Paribhasas in the system of Panini's grammar written by Vaidyanatha Sastrin.
paribhāṣāvṛttia general name given to an explanatory independent work on Paribhasas of the type of a gloss on a collection of Paribhasas,irrespective of the system of grammar, whether it be that of Panini, or of Katantra, or of Jainendra or of Hemacandra. The treatises of Vyadi (Panini system), Durgasimha and BhavamiSra (Katantra system), Purusottamadeva and Siradeva (Panini system), Abhyankar (Jainendra system) and others are all known by the name Paribhasavritti.
paribhāṣāvṛttiṭippaṇīa very brief commentary on the Paribhasavrtti of Siradeva written by Srimanasarman of Campahatti.
paribhāṣāvṛttiṭīkāa commentary on the Paribhasavrtti of Siradeva written by Ramabhadra Diksita who lived in the seventeenth century A. D.
paribhāṣāsegraha'a work containing a collection of independent works on Paribhasas in the several systems of Sanskrit Grammar, compiled by M. M. K. V. Abhyankar. The collectlon consists of the following works (i) परिभाषासूचन containing 93 Paribhasas with a commentary by Vyadi, an ancient grammarian who lived before Patanjali; ( ii ) ब्याडीयपरिभाषापाठ, a bare text of 140 Paribhaasaas belonging to the school of Vyadi (iii) शाकटायनपरिभाषासूत्र a text of 98 Paribhasa aphorisms, attributed to the ancient grammarian Saka-tayana, or belonging to that school; [iv) चान्द्रपरिभाषासूत्र a text of 86 Paribhasa aphorisms given at the end of his grammar work by Candragomin; (v) कातन्त्रपरिभाषासूत्रवृत्ति a gloss on 65 Paribhas aphorisms of the Katantra school by Durgasimha; (vi) कातन्त्रपारभाषासूत्रवृत्ति a short gloss on 62 Paribhasa aphorisms of the Katantra school by Bhavamisra; (vii) कातन्त्रपरिभाषासूत्र a text of 96 Paribhasa rules belonging to the Katantra school without any author's name associated with it; (viii) कालापपरिभाषासूत्र a text of 118 Paribhasa rules belonging to the Kalapa school without any author's name associated with it; (ix) जैनेन्द्रपरिभाषावृत्ति a gloss written by M. M. K. V. Abhyankar ( the compiler of the collection), on 108 Paribhasas or maxims noticeable in the Mahavrtti of Abhayanandin on the Jainendra Vyakarana of Pujyapada Devanandin; (x) भोजदेवकृतपरि-भाषासूत्र a text of 118 Paribhasa rules given by Bhoja in the second pada of the first adhyaaya of his grammar work named Sarasvatikanthabharana; (xi) न्यायसंग्रह a bare text of 140 paribhasas(which are called by the name nyaya) given by Hema-hamsagani in his named न्यायसंग्रह; (xii) लधुपरिभाषावृत्ति a gloss on 120 Paribhasas of the Panini school written by Puruso-ttamadeva; (xiii) वृहत्परिभाषावृत्ति con-taining 130 Paribhasas with a commentary by Siradeva and a very short,gloss on the commentary by Srimanasarman ( xiv ) परिभाषावृत्ति a short gloss on 140 Paribhasas of the Panini school written by Nilakantha; (xv) परिभाषाभास्कर a collection of 132 Paribhasas with a commentary by Haribhaskara Agnihotri; (xvi) bare text of Paribhasa given and explained by Nagesabhatta in his Paribhasendusekhara. The total number of Paribhasas mentioned and treated in the whole collection exceeds five hundredition
paribhāṣāsūcanaan old work on the Paribhasas in the system of Panini's Grammar, believed to have been written by Vyaadi, who lived after Kaatyayana and before Patanjali. The work is written in the old style of the MahabhaSya and consists of a short commentary on 93 Paribhasas.
paribhāṣenduśekharathe reputed authoritative work on the Paribhasas in the system of Paanini's grammar written by Nagesabhatta in the beginning of the 18th century A.D. at Benares. The work is studied very widely and has got more than 25 commentaries written by pupils in the spiritual line of Nagesa. Well-known among these commentaries are those written by Vaidyanatha Payagunde ( called गदा ), by BhairavamiSra ( called मिश्री), by Raghavendraacaarya Gajendragadakara ( called त्रिपथगा ), by Govindacarya Astaputre of Poona in the beginning of the nineteenth century (called भावार्थदीपिका), by BhaskaraSastri Abhyankar of Satara (called भास्करी ), and by M. M. Vaasudevasaastri Abhyankar of Poona (called तत्त्वादर्श ). Besides these, there are commentaries written by Taatya Sastri Patawardhana,Ganapati Sastri Mokaate, Jayadeva Misra, VisnuSastri Bhat, Vishwanatha Dandibhatta, Harinaatha Dwiwedi Gopaalacarya Karhaadkar, Harishastri Bhagawata, Govinda Shastri Bharadwaja, Naarayana Shastri Galagali, Venumaadhava Shukla, Brahmaananda Saraswati, ManisiSeSaSarma,Manyudeva, Samkarabhatta, Indirapati, Bhimacarya Galagali, Madhavacarya Waikaar, Cidrupasraya, Bhimabhatta, LakSminrsimha and a few others. Some of these works are named by their authors as Tikaas, others as Vyaakhyaas and still others as Tippanis or Vivrtis.
pāribhāṣika(l)technical, as opposed to literal; conventional; e. g. the words संबुद्धि, हेतु et cetera, and others cf शब्दैरर्थाभिधानं स्वाभाविकम् । न पारिभाषिकमशक्यत्वात् । लोकत एवार्थावगते: । Kāś on P.I.2.56; confer, compare किमिदम् पारिभाषिक्याः संबुद्धैग्रहणमेकवचनं संबुद्धिराहोस्विदन्वर्थग्रहणं संबोधनं संबुद्धिरिति । Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P. I. 2.33; (2) derived on the strength of a Paribhasa confer, compare पारिभाषिकं क्वचिदनित्यं स्यात् Kat. Par. vr. Pari. 58.
pūrvasthānikaa variety of antarangatva mentioned by Nagesa in the Paribhasendusekhara, where an operation, affecting a part of a word which precedes that portion of the word which is affected by the other operation, is looked upon as antaranga; e. g. the टिलोप in स्रजिष्ठ ( स्रग्विन् + इष्ठ ) is looked upon as अन्तरङ्ग with respect to the elision of विन् which is बहिरङ्ग. This kind of antarangatva is, of course, not admitted by Nagesa although mentioned by him; confer, compare Par. Sek. Pari. 50,
prayoganiyamageneral rules or principles laid down regarding the use of words in language and literature such as (l) a word recognised as correct should always be used, confer, compare एवमिहापि समानायामर्थगतौ शब्देन चापशब्देन च धर्मनियमः क्रियते शब्देनैवार्थोभिधेयो नापशब्देनेति । एवंक्रियमाणमभ्युदयकारि भवति Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P. I. I. Ahnika l, (2) never a base alone or an affix alone should be used, but always a base with the necessary affix should be used; confer, compare यावता समयः कृतो न केवला प्रकृतिः प्रयोक्तव्या न केवलः प्रत्ययः M. Bh, on P. I. 2.64 Vart. 8, also on P. III. 1.94 Vart. 3; (3) when the sense is already expressed by a word, a word repeating the sense should not be used; confer, compare उक्तार्थानामप्रयोगः. Besides these, many minor regulations of the type of Paribhasas are laid down by grammarians. For details see Paribhashasamgraha Introduction.
prātiśākhyaa work on Vedic grammar of a specific nature, which is concerned mainly with the changes, euphonic and others, in the Pada text of the Samhita as compared with the running text, the Samhita itselfeminine. The Pratisakhya works are neither concerned with the sense of words, nor with their division into bases and affixes, nor with their etymology. They contain, more or less,Vedic passages arranged from the point of view of Samdhi. In the Rk Pratisakhya, available to-day, topics of metre, recital, phonetics and the like are introduced, but it appears that originally the Rk Pratisakhya, just like the Atharva Pratisakhya, was concerned with euphonic changes, the other subjects being introduced later on. The word प्रातिशाख्य shows that there were such treatises for everyone of the several Sakhas or branches of each Veda many of which later on disappeared as the number of the followers of those branches dwindledition Out of the remaining ones also, many were combined with others of the same Veda. At present, only five or six Pratisakhyas are available which are the surviving representatives of the ancient ones - the Rk Pratisakhya by Saunaka, the Taittiriya Pratisakhya, the Vajasaneyi PratiSakhya by Katyayana, the Atharva Pratisakhya and the Rk Tantra by Sakatayana, which is practically a Pratisakhya of the Sama Veda. The word पार्षद or पारिषद was also used for the Pratisakhyas as they were the outcome of the discussions of learned scholars in Vedic assemblies; cf परिषदि भवं पार्षदम्. Although the Pratisakhya works in nature, are preliminary to works on grammar, it appears that the existing Pratisakhyas, which are the revised and enlarged editions of the old ones, are written after Panini's grammar, each one of the present Prtisakhyas representing, of course, several ancient Pratisakhyas, which were written before Panini. Uvvata, a learned scholar of the twelfth century has written a brief commentary on the Rk Pratisakhya and another one on the Vajasaneyi Pratisakhya. The Taittiriya PratiSakhya has got two commentaries -one by Somayarya, called Tribhasyaratna and the other called Vaidikabharana written by Gopalayajvan. There is a commentary by Ananta bhatta on the Vajasaneyi Pratisakhya. These commentaries are called Bhasyas also.
bahiraṅgaparibhāṣāthe Paribhasa or the maxim असिद्धं बहिरङ्गमन्तरङ्गे (Par. Sek. Pari. 50) which cites the comparative weakness of the rule or operation which is Bahiranga.
bādhakatvathe same as बाध ; sublation; setting aside; this sublation is described to be of two types(1) complete sublation when the rule set aside, is for ever set aside and cannot, by the maxim called तक्रकौण्डिन्यन्याय, be applied again; confer, compare दधि ब्राह्मणेभ्यो दीयतां तक्रं कौण्डिन्यायेति सत्यपि संभवे दधिदानस्य तक्रदानं निवर्तकं भवति । confer, compare Mahābhāṣya of Patañjali on the Sūtras of Pāṇini (Dr. Kielhorn's edition ). on P. I. 1.47; VI. 1.2. VI. 2.1. et cetera, and others; ( 2 ) temporary sublation when the rule set aside, can be applied, if possible after the special rule has been applied; confer, compare सर्वथा अनवकाशत्वादेव बाधकत्वे स्वस्य (अनवकाशशास्त्रस्य) पूर्वप्रवृत्तिरित्येव बाधः । तत्र बाधके प्रवृत्ते यद्युत्सर्गप्राप्तिर्भवति तदा भवत्येव यथा तत्रैव याडादयः Par.Sek.on Pari.57, The sublation or बाधकत्व is not only in the case of सामान्यविशेषभाव and अनवकाशत्व as given a reference to some preceding word, not necessarily on the same page., but a rule or operation which is पर (cited later), or नित्य, or अन्तरङ्ग sets aside the rule or operation which is पूर्व,or अनित्य,or बहिरङ्ग respectively. This बाध्यबाधकभाव occupies a very important position in respect of the application of grammar rules for arriving at the correct forms (इष्टरूपसिद्धि) and grammarians have laid down a number of Paribhasas in the field of बाध्यबाधकभाव.
bālaṃbhaṭṭa( बाळंभट्ट )surnamed Payagunda or Payagunde, who has written a commentary on the commentary Mitaksara on the याज्ञवल्क्यस्मृति. Some scholars say that he was also a great grammarian and identical with वैद्यनाथ पायगुंडे who has written the commentary काशिका or गदा on the Paribhasendusekhara, the Cidasthimala on the Laghusabdendusekhara and commentaries on the Vaiyakaranabhusana,Sabdakaustubha and Bhasyapradipoddyota. Other scholars believe that Balambhatta was the son of Vaidyanatha and that he wrote only the commentary on Mitaksara called Balambhatti after him. (2) There was also a comparatively modern grammarian of Tanjore who has written small grammar works बालबोधिनी and बालरञ्जनी.
bhāgavata hariśāstrīa modern scholar of grammar who has written a commentary named Vakyarthacandrika on the Paribhasendusekhara of Nagesa; he lived in the first half of the eighteenth century.
bhāgavṛttione of the oldest commentaries on the Sutras of Panini, which, although not available at present, has been profusely quoted by Purusottamadeva and other Eastern Grammarians of the twelfth and later centuries. The authorship of the work is attributed to Bhartrhari, but the point is doubtful as Siradeva in his Paribhasavrtti on Pari. 76 has stated that the author of the Bhagavrtti has quoted from Maghakavya; confer, compare अत एवं तत्रैव सूत्रे भागवृत्तिः पुरातनमुनेर्मुनितामिति पुरातनीनेदिरिति च प्रमादपाठावेतौ गतानुगतिकतया कवयः प्रयुञ्जते न तेषां लक्षणे चक्षुरिति | Some scholars attribute its authorship to Vimalamati. Whosoever be the author, the gloss ( भागवृत्ति ) was a work of recognised merit; confer, compare काशिकाभागवृत्त्योश्चेत् सिद्धान्तं वेत्तुमस्ति धी: | तदा विचिन्त्यतां भातभीषावृत्तिरियं मम Bhasavrtti at the end. सृष्टिघर in his commentary on the Bhasavrtti also says " सा हि द्वयोर्विवरणकर्त्री."
rāmabhadra dīkṣitason of यज्ञराम दीक्षित, a grammarian of Tanjore of the seventeenth century who wrote a commentary on the Paribhasavrtti of Siradeva named परिभाषावृत्तिव्याख्या. He has also written the ' life of Patanjali' ( पतञ्जलिचरित ) and many miscellaneous works, such as उणादिमणिदीपिका and others.
vartsyatfuture, belonging to future;confer, compare वर्त्स्यत्प्रवृत्त्या इह कार्याणि क्रियन्ते Paribhasa 87 given by Siradeva.
vākyārthacandrikāname of a commentary on the Paribhasendusekhara by Hari Sastri Bhagawata.
vācanikīSee वाचनिक a reference to some preceding word, not necessarily on the same page.: confer, compare किं स्वाभाविकी निवृतिराहोस्विद्वाचानिकी M.Bh.on P. II.2.6: confer, compare also the usual expression बाचनिकी एषा with respect to some Paribhasas or maximanuscript.
vārttikasiddhāntacategorical conclusive statements made by the Varttikakara many of which were cited later on as Paribhasas by later writers For details see pp. 212220 Vol. VII, Vyakarana Mahbhasya, D. E. Society's edition.
vāsudeva( शास्त्री)surnamed Abhyankar, who lived from 1863 to l942 and did vigorous and active work of teaching pupils and writing essays, articles, commentary works and original works on various Shastras with the same scholarship, zeal and acumen for fifty years in Poona. He wrote गूढार्थप्रकाश a commentary on the LaghuSabdendusekhara and तत्त्वादर्श a commentary on the Paribhasendusekhara in 1889. His edition of the Patanjala Mahabhasya with full translation and notes in Marathi can be called his magnum opus. See अभ्यंकर.
vighātaimmolation; sacrifice; destruction, as applicable to a word or part of a word or a relation of words confer, compare अनेकाल्त्वस्य तदाश्रयत्वाद् वर्णादेशस्य विधातो न भविष्यति M.Bh. on P. I.1.50 Virt. 15: cf also the famous Paribhasa संनिपातलक्षणो विधिरनिमित्तं तद्विघातस्य Par. Sek. Pari. 85; M.Bh. on P,I.1.24 et cetera, and others
vaidyanāthaVaidyanatha Payagunde, a famous grammarian of the eighteenth century, who was one of the chief pupils of Nagesa and who prepared a line of pupils at Varanasi. He has written learned commentaries on standard works on grammar, the principal ones being the Prabha on the Sabdakaustubha, the Bhavaprakasika on the Brhaccabdendusekhara, the Cidasthimala on the LaghuSabdendusekhara, the Kasika or Gada on the Paribhasendusekhara and an independent short treatise named Rapratyaya-khandana
vyavasthāliterally definite arrangement; restriction regarding the application of a rule, especially when it seems to overlap, as done by the Varttikakara, and later on by the Paribhashas laid down by grammarians regarding the rules of Panini: confer, compare स्वाभिधेयापेक्षावधिनियमो व्यवस्था S. K. on P. I.1.34; confer, compare also लक्ष्यानुसाराह्यवस्था Par. Sek. Pari. 99, 108.
byāḍiname of an ancient grammarian with a sound scholarship in Vedic phonetics, accentuation,derivation of words and their interpretation. He is believed to have been a relative and contemporary of Panini and to have written a very scholarly vast volume on Sanskrit grammar named *Samgraha which is believed to have consisted of a lac of verses; confer, compare संग्रहो व्याडिकृतो लक्षसंख्ये ग्रन्थ: NageSa's Uddyota; confer, compare also इह पुरा पाणिनीये अस्मिन्व्याकरणे ब्याड्युपरचितं लक्षग्रन्थपरिमाणं निबन्धनमासीत् Vākyapadīya of Bhartṛhari. Tika. The work is not available at present. References to Vyadi or to his work are found in the Pratisakhya works, the Mahabhasya, the Varttikas, the Vakyapadiya and many subsequent treatises. A work on the Vyakarana Paribhasas, believed to have been written by Vyadi, is available by the name परिभाषासूचन which from its style and other peculiarities seems to have been written after the Varttikas, but before the Mahabhasya. Vyadi is well-known to have been the oldest exponent of the doctrine that words denote an individual object and not the genus. For details see pp. 136-8, Vol. 7 Vyakarana Mahabhasya DE. Society's Edition.
śaṃkarabhaṭṭaname of a grammarian of the eighteenth century who wrote a commentary, called शांकरी after him, on Nagesa's Paribhasendusekhara.
śāṃkari(1)name of a glo:s on Kondabhatta's Vaiyakaranabhusanasara by Samkara; (2) name of a commentary on the Paribhasendusekhara of Nagesa written by Sankarabhatta; (3) The Vyakarana vidya or instructions in Grammar given by God Siva to Panini on which the Siksa of Panini has been basedition
śivabhaṭṭaa grammarian, who wrote a commentary named कुङ्कुमविकास on the Padamanjari of Haradatta. He was the grandson of Nilakantha Diksita who was also a grammarian and who wrote an independent work on the Paribhasas, named the Paribhasavrtti.
śeṣaśarbhanalso known by the name मनीषिशेषशर्मन्, a grammarian who has written सर्वमङ्गला, a commentary on Nagesa's Paribhasendusekhara.
śeṣaśāstrīa grammarian who wrote a commentary on the Paribhasendusekhara of Nagesabhatta.
śeṣādria grammarian of the seventeenth century who has written a work, Paribhasabhaskara, on the Paribhasas of the Panini system; the treatise is written in the manner of Siradeva's Paribhasavrtti which has been taken as a basis by him.
śrīdharaa grammarian of the last century who has written a commentary named श्रीधरी after him, on the Paribhasendusekhara.
śrīdharīname of commentary on the Paribhasendueskhara written by Sridhara. See श्रीधर.
śrīnivāsaa grammarian who has written a commentary on the Paribhasabhaskara of Haribhaskara.
śrīmānaśarmāa famous grammarian of Eastern India who has written a short scholarly gloss named Vijaya on Nagesa's Paribhasendusekhara. For details refer to Paribhasasamgraha.
sarasvatīkaṇṭhābharaṇacalled also सरस्वतीसूत्र, name of a voluminous grammar work ascribed to king Bhoja in the eleventh century. The grammar is based very closely on Panini's Astadhyayi, consisting of eight chapters or books. Although the affixes, the augments and the substitutes are much the same, the order of the Sutras is considerably changedition By the anxiety of the author to bring together, the necessary portions of the Ganapatha, the Unadiptha and the Paribhasas, which the author' has included in his eight chapters, the book instead of being easy to understand, has lost the element of brevity and become tedious for reading. Hence it is that it is not studied widely. For details see pp. 392, 393 Vyakarana Mahabhasya Vol. VII. D. E. Society's edition.
sarvamaṅgalāa commentary on Nagesa's Paribhasendusekhara written by a grammarian of the nineteenth century named शेषशर्मन् or मनीषिशेषशर्मन्. The work is incomplete.
sahacaritagoing together: occurring together; e. g. विपराभ्यां जेः ( where परा is taken as the preposition परा and not the pronoun परा which is the feminine. base of पर on account of the paribhasa सहचरितासहचरितयोः सहृचरितस्यैव ग्रहणम्): confer, compare Pari.Sek.Pari.103.
sāmānyātideśaparibhāṣāname given to the Paribhasa: सामान्यातिदेशे विशेषानतिदेशः Pari. Sekh Pari. 101.
sārāsāravivekaname of a commentary on Nagesa's Paribhasendusekhara written by बालशास्त्री रानडे, the stalwart grammarian of the nineteenth century at Varanasi.
sīradevaa prominent grammarian of the Eastern part of India who lived in the twelfth century A. D. He was a very sound scholar of Panini's grammar who wrote a few glosses on prominent works in the system. His Paribhasavrtti is a masterly independent treatise among the recognised works on the Paribhasas in which he has quoted very profusely from the works of his predecessors, such as the Kasika, Nyasa, Anunyasa and others. The reputed scholar Maitreya Raksita is more often guoted than others.
ha(1)representation of the consonant हू with अ added for facility of pronunciation; (2) a technical term for the internal effort between विवृत and संवृत, which causes घोष in the consonants; confer, compare संवृतविवृतयोर्मध्ये मध्यमप्रक्रारे यः शब्दः क्रियते स हकारसंज्ञो भवति। संज्ञायाः प्रयेाजनं ' हकारो हचतुर्थेषु ' इति ( तै. प्रा.श ९)Tribhasyaratna on T.Pr. II.6; (3) name of an external effort causing घोष: confer, compare सांप्रतिके प्रकृतिस्थे कण्ठे सति हृकारो नाम बाह्यः प्रयत्नः क्रियते | तेन च व्यञ्जनेषु घोषो जायते। Vaidikabharana on T.Pr. II.6; (4) name of a kind of external effort of the type of अनुप्रदान found in the utterance of the consonant ( ह् ) and the fourth class-consonants; confer, compare हकारौ हृचतुर्थेषु T.Pr.II.9.
harināthadvivedīa grammarian of the nineteenth century who has written a commentary named अकाण्डताण्डव on Nagesa's Paribhasendusekhara.
haribhāskara( अग्निहोत्री )a grammarian of the Deccan who lived in the seventeenth century at Nasik and wrote commentaries on grammarworks out of which his treatise on Paribhasas ( परिभाषाभास्कर ) written independently but based upon Siradeva's Paribhasavrtti, deserves a special notice and mention.
hariśātri( भागवत )a grammarian of the nineteenth century who has written Vakyarthacandrika, a commentary on Nagesa's Paribhasendusekhara.
hemacandraa Jain sage and scholar of remarkable erudition in the religious works of the Jainas as also in several Shastras. He was a resident of Dhandhuka in Gujarat, who, like Sankarācārya took संन्यासदीक्षा at a very early age and wrote a very large number of original books and commentaries, the total number of which may well nigh exceed fifty, during his long life of eighty-four years ( 1088 to ll 2 ). He stayed at AnhilavalaPattana in the North Gujarat and was patronised with extreme reverence by King Kumarapala who in fact, became his devoted pupil. Besides the well-known works on the various Shastras like Kavyanusasana, Abhidhanacintamani, Desinamamla, Yogasastra, Dvyasrayakavya, Trisastisalakapurusacarita and others which are well-known, he wrote a big work on grammar called सिद्धहेमचन्द्र by him,but popularly known by the name हेमव्याकरण or हैमशब्दानुशासन The , work consists of eight books or Adhyayas, out of which the eighth book is devoted to prakrit Grammar, and can be styled as a Grammar of all the Prakrit dialects. The Sanskrit Grammar of seven chapters is based practically upon Panini's Astadhyayi, the rules or sutras referring to Vedic words or Vedic affixes or accents being entirely omittedThe wording of the Sutras is much similar to that of Panini; at some places it is even identical. The order of the treatment of the subjects in the सिद्धहैम. शब्दानुशासनमृत्र is not, however, similar to that obtaining in the Astadhyayi of Panini. It is somewhat topicwise as in the Katantra Vyakarana. The first Adhyaya and a quarter of the second are devoted to Samjna, Paribhasa and declension; the second pada of the second Adhyaya is devoted to karaka, while the third pada of it is devoted to cerebralization and the fourth to the Stripratyayas.The first two Padas of the third Adhyaya are devoted to Samasas or compound words, while the last two Padas of the third Adhyaya and the fourth Adhyaya are devoted to conjugation The fifth Adhyaya is devoted to verbal derivatives or krdanta, while the sixth and the seventh Adhyayas are devoted to formations of nouns from nouns, or taddhita words. On this Sabda nusasana, which is just like Panini's Astadhyayi, the eighth adhyaya of Hemacandra being devoted to the grammar of the Arsa language similar to Vedic grammar of Panini, Hemacandra has himself written two glosses which are named लधुवृति and वृहृदवृत्ति and the famous commentary known as the Brhannyasa. Besides these works viz the हैमशब्दानुशासन, the two Vrttis on it and the Brhannyasa, he has given an appendix viz the Lingnusasana. The Grammar of Hemacandra, in short, introduced a new system of grammar different from, yet similar to, that of Panini, which by his followers was made completely similar to the Paniniya system by writing works similar to the Siddhantakaumudi, the Dhatuvrtti, the Manorama and the Paribhasendusekhara. हेमहंसगणि a grammarian belonging to the school of Hemacandra, who lived in the fifteenth century and wrote a work on Paribhasas named न्यायसंग्रह, on which he himself wrote a commentary called न्यायार्थमञ्जूषा and another one called by the name न्यास.
     Wordnet Search "ibhaḥ" has 6 results.


mahiṣaḥ, lulāpaḥ, sairibhaḥ, yamāhanaḥ, viṣajvaran, vaṃśabhīruḥ, rajasvalaḥ, ānūpaḥ, raktākṣaḥ, aśvāriḥ, krodhī, kaluṣaḥ, mattaḥ, viṣāṇī, gavalī, balī   

mahiṣajātīyaḥ pumān paśuḥ।

saḥ mahiṣaṃ halena yunakti।


gajaḥ, hastī, karī, dantī, dvipaḥ, vāraṇaḥ, mātaṅgaḥ, mataṅgaḥ, kuñjaraḥ, nāgaḥ, dviradaḥ, ibhaḥ, radī, dvipāyī, anekapaḥ, viṣāṇī, kareṇuḥ, lambakarṇaḥ, padmī, śuṇḍālaḥ, karṇikī, dantāvalaḥ, stamberamaḥ, dīrghavaktraḥ, drumāriḥ, dīrghamārutaḥ, vilomajihvaḥ, śakvā, pīluḥ, māmṛgaḥ, mataṅgajaḥ, ṣaṣṭhihāyanaḥ   

paśuviśeṣaḥ- saḥ paśuḥ yaḥ viśālaḥ sthūlaḥ śuṇḍāyuktaḥ ca।

gajāya ikṣuḥ rocate।


tittiraḥ, cakoraḥ, kṛkaṇaḥ, ṭiṭṭibhaḥ   


indro divaspatiḥ śatruṣṭiṭibho nāma devatā



mahiṣaḥ, raktāśvaḥ, aśvāriḥ, lulāpaḥ, vāhadviṣā, kāsaraḥ, sairibhaḥ, yamavāhanaḥ, viṣajvarā, vaṃśabhīruḥ, rajasvalaḥ, ānūpaḥ   

paśuviśeṣaḥ yasya strītvaviśiṣṭaḥ paśuḥ dugdhārthaṃ pālyate puṃjātīyaśca bhāravahanārtham upayujyate।

saḥ naikān mahiṣān pālayati।


gajaḥ, hastī, karī, dantī, dvipaḥ, vāraṇa-, mātaṅgaḥ, mataṅgaḥ, kuñjaraḥ, nāgaḥ, dviradaḥ, ibhaḥ, radī, dvipāyī, anekapaḥ, viṣāṇī, kareṇuḥ, padmī, lambakarṇaḥ, śuṇḍālaḥ, karṇikī, dantāvalaḥ, stamberamaḥ, dīrghavaktraḥ, drumāriḥ, dīrghamārutaḥ, vilomajihvaḥ, śakvā, pīluḥ, mahāmṛgaḥ, mataṅgajaḥ, ṣaṣṭhihāyanaḥ   

vanyapaśuḥ , yasya vakṣo atha kakṣāvalayaḥ,ślathāśca lambodarasaḥ tvagbṛhatīgalaśca pecakena saha sthūlā kukṣiḥ asti। tathā ca yaḥ śuṇḍāvān asti।

hayā jiheṣire harṣād gambhīraṃ jagajuḥ gajāḥ।



ekaḥ kṣupaḥ ।

ibhasya ullekhaḥ koṣe asti

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