dus spṛṣṭa see दुःस्पृष्ट antaraṅga a highly technical term in Pāṇini's grammar applied in a variety of ways to rules which thereby can supersede other rules. The term is not used by Pāṇini himselfeminine. The Vārtikakāra has used the term thrice ( Sec I. 4. 2 Vārttika (on the Sūtra of Pāṇini). 8, VI.1.106 Vart.10 and VIII.2.6 Vārttika (on the Sūtra of Pāṇini). I) evidently in the sense of immediate', 'urgent', 'of earlier occurrence' or the like. The word is usually explained as a Bahuvrīhi compound meaning 'अन्त: अङ्गानि निमित्तानि यस्य' (a rule or operation which has got the causes of its application within those of another rule or operation which consequently is termed बहिरङ्ग). अन्तरङ्ग, in short, is a rule whose causes of operation occur earlier in the wording of the form, or in the process of formation. As an अन्तरङ्ग rule occurs to the mind earlier, as seen a reference to some preceding word, not necessarily on the same page. , it is looked upon as stronger than any other rule, barring of course अपवाद rules or exceptions, if the other rule presents itself simultaneously. The Vārtikakāra, hence, in giving preference to अन्तरङ्ग rules, uses generally the wording अन्तरङ्गबलीयस्त्वात् which is paraphrased by अन्तरङ्गं बहिरङ्गाद् बलीयः which is looked upon as a paribhāṣā. Grammarians, succeeding the Vārtikakāra, not only looked upon the बहिरङ्ग operation as weaker than अन्तरङ्ग, but they looked upon it as invalid or invisible before the अन्तरङ्ग operation had taken placcusative case. They laid down the Paribhāṣā असिद्धं बहिरङ्गमन्तरङ्गे which has been thoroughly discussed by Nāgeśa in his Paribhāṣendusekhara. The अन्तरङ्गत्व is taken in a variety of ways by Grammarians : (l) having causes of application within or before those of another e. g. स्येनः from the root सिव् (सि + उ+ न) where the यण् substitute for इ is अन्तरङ्ग being caused by उ as compared to guṇa for उ which is caused by न, (2) having causes of application occurring before those of another in the wording of the form, (3) having a smaller number of causes, (4) occurring earlier in the order of several operations which take place in arriving at the complete form of a word, (5) not having संज्ञा (technical term) as a cause of its application, ( 6 ) not depending upon two words or padas, (7) depending upon a cause or causes of a general nature (सामान्यापेक्ष) as opposed to one which depends on causes of a specific nature ( विशेषापेक्ष). gūḍhārthaprakāśa a commentary on the Laghusabdendusekhara by M. M. Vasudeva Shastri Abhyankar (1863-1942). gopāla ( देव ) known more by the nickname of मन्नुदेव or मन्तुदेव who lived in the eighteenth century and wrote several commentary works on well-known grammatical treatises such as the Vaiyakaranabhusanasara, Laghusabdendusekhara, Paribhasendusekhara et cetera, and others He is believed to have written a treatise on Ganasutras also; (2) a grammarian different from the a reference to some preceding word, not necessarily on the same page. मन्नुदेव who has written an explanatory work on the Pratisakhyas;.(3) a scholar of grammar, different from the a reference to some preceding word, not necessarily on the same page. who is believed to have written a gloss named Visamarthadipika on the Sarasvata Vyakarana at the end of the sixteenth century. govinda writer of a commentary known as अम्बाकर्त्री by reason of that work beginning with the stanza अम्बा कर्त्रींó, on the Paribhasendusekhara of Nagesa. candrakalā called also कला, a wellknown commentary on Nagesa's Laghusabdendusekhara by Bhairavamisra who lived in the latter half of the 18th century and the first half of the nineteenth century. ciccandrikā name of a commentary on the Paribhasendusekhara written by Vishnu Shastri Bhat, in reply to the treatise named दूषकरदोद्भेदः See विष्णुशास्त्रिन्. For details see pp. 39, 40 of Vyakarana Mahabhasya Vol. VII. published by the D.E. Society, Poona. citprabhā name of a commentary on the Paribhasendusekhara by ब्रह्मानन्दसरस्वती. cidasthimālā name of a commentary on the Laghusabdendusekhara by Vaidyanatha Payagunde,one of the distinguished disciples of Nagesabhatta. cidrūpāśraya named also चिद्रूपाश्रम who wrote a learned commentary named विषमी on the Paribhasendusekhara of Nagesabhatta tattvādarśa name of a commentary on the Paribhasendusekhara written by M. M. Vasudev Shastri Abhyankar in 1889 A. D. The commentary is more critical than explanatory,wherein the author has given the purpose and the gist of the important Paribhasas and has brought out clearly the differences between the school of Bhattoji and the school of Nagesa in several important matters. tripathagā name of a commentary on the Paribhasendusekhara written by Raghavendracarya Gajendragadkar, a resident of Satara and a pupil of Nilakanthasastri Thatte. He lived in the second half of the eighteenth and first half of the nineteenth century and wrote comentaries on important grammar works. triśikhā name of a commentary on the Paribhasendusekhara written by Laksminrsimha in the 18th century. tryambaka a grammarian of the nineteenth century, who resided at Wai in Satara District and wrote a commentary on the Paribhasendusekhara which is named त्र्यम्बकी after the writer. tryambakī a commentary on the Paribhasendusekhae by म्बव्यकः see त्र्यम्बक. durvalācārya a grammarian who wrote a treatise on grammar दुर्वलीयव्याकरण, named after him. Besides this treatise, he has written commentaries on Nagesa's Laghumanjusa and Paribhasendusekhara. dūṣakaradodbheda name of a commentary, on the Paribhasendusekhara of Nagesa, believed to have been written by Gopalacārya Karhadkar, a grammarian of the 19th century and attributed to Bhimacarya. This commentary, which was written to criticize the commentary written by Visnusastri Bhat, was again criticized in reply by Visnusastri Bhat in his Ciccandrika ( चिच्चन्द्रिका ). See विष्णुशास्त्री भट. doṣoddharaṇa name of a commentary on Nagesa's Paribhisendusekhara written by मन्नुदेव of the eighteenth century. doṣoddhāra name of a commentary on Nagesa's Laghusabdendusekhara written by मन्नुदेव of the eighteenth century. dhvanita suggested, as opposed to उक्त expressed; the word is found frequently used in the Paribhasendusekhara and other works in connection with such dictums as are not actually made, but indicated in the Mahabhasya. nāgeśa the most reputed modern scholar of Panini's grammar, who was well-versed in other Sastras also, who lived in Benares in the latter half of the seventeenth and the first half of the eighteenth century. He wrote many masterly commentaries known by the words शेखर and उद्द्योत on the authoritative old works in the different Sastras, the total list of his small and big works together well nigh exceeding a hundredition He was a bright pupil of Hari Diksita, the grandson of Bhattoji Diksita. He was a renowned teacher also, and many of the famous scholars of grammar in Benares and outside at present are his spiritual descendants. He was a Maharastriya Brahmana of Tasgaon in Satara District, who received his education in Benares. For some years he stayed under the patronage of Rama, the king of Sringibera at his time. He was very clever in leading debates in the various Sastras and won the title of Sabhapati. Out of his numerous works, the Mahābhāṣya-Pradīpoddyota by Nāgeśa. on Kaiyata's Mahabhasyapradipa, the Laghusabdendusekhara on the Siddhanta Kaumudi and the Paribhasendusekhara are quite wellknown and studied by every one who wishes to get proficiency in Panini's grammar. For details see pp. 21-24 and 401-403, Vol. VII of the Patanjala Mahabhasya edition D. E. Society, Poona. nityānandaparvatīya a scholar of Sanskrit Grammar who wrote glosses on the Mahabhasyapradipa, on the Laghusabdendusekhara and on the Paribhasendusekhara. He was a resident of Benares where he coached many pupils in Sanskrit Grammar. He lived in the first half of the nineteenth century. nīlakaṇṭhadīkṣita a famous grammarian of the seventeenth century who wrote an independent work on the Paribhasas in Vyakarana named Paribhasavrtti. This Vrtti is referred to in the Paribhsendusekhara by Nagesabhatta and the views expressed in it are severely criticised in the commentary गदा. paribhāṣā an authoritative statement or dictum, helping (1) the correct interpretation of the rules (sūtras) of grammar, or (2) the removal of conflict between two rules which occur simultaneously in the process of the formation of words, (पदसिद्धि), or (3) the formation of correct words. Various definitions of the word परिभाषा are given by commentators, the prominent ones beingपरितो व्यापृतां भाषां परिभाषां प्रचक्षते(न्यास);or, परितो भाष्यते या सा परिभाषा प्रकीर्तिता. The word is also defined as विधौ नियामकरिणी परिभाषा ( दुर्गसिंहवृत्ति ). परिभाषा can also be briefiy defined as the convention of a standard author. Purusottamadeva applies the word परिभाषा to the maxims of standard writers, confer, compare परिभाषा हिं न पाणिनीयानि वचनानि; Puru. Pari. 119; while Haribhaskara at the end of his treatise परिभाषाभास्कर, states that Vyaadi was the first writer on Paribhaasas. The rules तस्मिन्निति निर्दिष्टे पूर्वस्य, तस्मादित्युत्तरस्य and others are in fact Paribhaasa rules laid down by Panini. For the difference between परिभाषा and अधिकार, see Mahabhasya on II.1.1. Many times the writers of Sutras lay down certain conventions for the proper interpretation of their rules, to which additions are made in course of time according to necessities that arise, by commentators. In the different systems of grammar there are different collections of Paribhasas. In Panini's system, apart from commentaries thereon, there are independent collections of Paribhasas by Vyadi, Bhojadeva, Purusottamadeva, Siradeva, Nilakantha, Haribhaskara, Nagesa and a few others. There are independent collections of Paribhasas in the Katantra, Candra, Sakatayana,Jainendra and Hemacandra systems of grammar. It is a noticeable fact that many Paribhasas are common, with their wordings quite similar or sometimes identical in the different systemanuscript. Generally the collections of Paribhasas have got scholiums or commentaries by recognised grammarians, which in their turn have sometimes other glosses or commentaries upon them. The Paribhaasendusekhara of Nagesa is an authoritative work of an outstanding merit in the system of Paninis Grammar, which is commented upon by more than twenty five scholars during the last two or three centuries. The total number of Paribhasas in the diferent systems of grammar may wellnigh exceed 500. See परिभाषासंग्रह. paribhāṣāsegraha' a work containing a collection of independent works on Paribhasas in the several systems of Sanskrit Grammar, compiled by M. M. K. V. Abhyankar. The collectlon consists of the following works (i) परिभाषासूचन containing 93 Paribhasas with a commentary by Vyadi, an ancient grammarian who lived before Patanjali; ( ii ) ब्याडीयपरिभाषापाठ, a bare text of 140 Paribhaasaas belonging to the school of Vyadi (iii) शाकटायनपरिभाषासूत्र a text of 98 Paribhasa aphorisms, attributed to the ancient grammarian Saka-tayana, or belonging to that school; [iv) चान्द्रपरिभाषासूत्र a text of 86 Paribhasa aphorisms given at the end of his grammar work by Candragomin; (v) कातन्त्रपरिभाषासूत्रवृत्ति a gloss on 65 Paribhas aphorisms of the Katantra school by Durgasimha; (vi) कातन्त्रपारभाषासूत्रवृत्ति a short gloss on 62 Paribhasa aphorisms of the Katantra school by Bhavamisra; (vii) कातन्त्रपरिभाषासूत्र a text of 96 Paribhasa rules belonging to the Katantra school without any author's name associated with it; (viii) कालापपरिभाषासूत्र a text of 118 Paribhasa rules belonging to the Kalapa school without any author's name associated with it; (ix) जैनेन्द्रपरिभाषावृत्ति a gloss written by M. M. K. V. Abhyankar ( the compiler of the collection), on 108 Paribhasas or maxims noticeable in the Mahavrtti of Abhayanandin on the Jainendra Vyakarana of Pujyapada Devanandin; (x) भोजदेवकृतपरि-भाषासूत्र a text of 118 Paribhasa rules given by Bhoja in the second pada of the first adhyaaya of his grammar work named Sarasvatikanthabharana; (xi) न्यायसंग्रह a bare text of 140 paribhasas(which are called by the name nyaya) given by Hema-hamsagani in his paribhasa.work named न्यायसंग्रह; (xii) लधुपरिभाषावृत्ति a gloss on 120 Paribhasas of the Panini school written by Puruso-ttamadeva; (xiii) वृहत्परिभाषावृत्ति con-taining 130 Paribhasas with a commentary by Siradeva and a very short,gloss on the commentary by Srimanasarman ( xiv ) परिभाषावृत्ति a short gloss on 140 Paribhasas of the Panini school written by Nilakantha; (xv) परिभाषाभास्कर a collection of 132 Paribhasas with a commentary by Haribhaskara Agnihotri; (xvi) bare text of Paribhasa given and explained by Nagesabhatta in his Paribhasendusekhara. The total number of Paribhasas mentioned and treated in the whole collection exceeds five hundredition pāṭhaka or उदयंकरपाठक name of a scholar of Sanskrit Grammar who wrote an independent work on Paribhaasaas and commentaries on the ParibhaaSendusekhara and Laghu5abdendusekhara. See उदयंकर and परिभाषाप्रदीपार्चिस्. pūrvasthānika a variety of antarangatva mentioned by Nagesa in the Paribhasendusekhara, where an operation, affecting a part of a word which precedes that portion of the word which is affected by the other operation, is looked upon as antaranga; e. g. the टिलोप in स्रजिष्ठ ( स्रग्विन् + इष्ठ ) is looked upon as अन्तरङ्ग with respect to the elision of विन् which is बहिरङ्ग. This kind of antarangatva is, of course, not admitted by Nagesa although mentioned by him; confer, compare Par. Sek. Pari. 50, prauḍhamanoramā popularly called मनोरमा also; the famous commentary on the Siddhantakaumudi of Bhattoji Diksita written by the author himself to explain fully in a scholarly manner the popular grammar written by him; , the word प्रौढमनेारमा is used in contrast with बालमनोरमा another commentary on the Siddhantakaumudi by Vasudevadiksita. On account of the difficult nature of it, it is usual to read the प्रौढमनेारमा upto the end of the Karaka-prakarana only in the Sanskrit PathaSalas before the study of the Sabdendusekhara and the Paribhsendusekhara is undertaken. bālaṃbhaṭṭa ( बाळंभट्ट ) surnamed Payagunda or Payagunde, who has written a commentary on the commentary Mitaksara on the याज्ञवल्क्यस्मृति. Some scholars say that he was also a great grammarian and identical with वैद्यनाथ पायगुंडे who has written the commentary काशिका or गदा on the Paribhasendusekhara, the Cidasthimala on the Laghusabdendusekhara and commentaries on the Vaiyakaranabhusana,Sabdakaustubha and Bhasyapradipoddyota. Other scholars believe that Balambhatta was the son of Vaidyanatha and that he wrote only the commentary on Mitaksara called Balambhatti after him. (2) There was also a comparatively modern grammarian of Tanjore who has written small grammar works बालबोधिनी and बालरञ्जनी. bhāgavata hariśāstrī a modern scholar of grammar who has written a commentary named Vakyarthacandrika on the Paribhasendusekhara of Nagesa; he lived in the first half of the eighteenth century. miśrī a popular name given to the commentary written by मैरवमिश्र on the Paribhaasendusekhara in popular use by grammarians. rāghavendracārya ( गजेन्द्रगडकर) a famous scholar of Grammar in the nineteenth century, who taught many pupils and wrote some commentary works, the well-known being प्रभा on the Sabdakaustubha, विषमपदव्याख्या on the Laghusabdendusekhara and त्रिपथगा on the Paribhisendusekhara. For details see p. 27 Vyakarana Mahbhasya Vol. VII D. E. Society's Edition. varavarṇinī name of a commentary on the Paribhsendusekhara written by Guruprasada Sastri, a reputed grammarian of the present cenutry. vallabha named हरिवल्लभ also,who wrote a commentary on Nagesa's Sabdendusekhara. vākyārthacandrikā name of a commentary on the Paribhasendusekhara by Hari Sastri Bhagawata. vāsudeva ( शास्त्री) surnamed Abhyankar, who lived from 1863 to l942 and did vigorous and active work of teaching pupils and writing essays, articles, commentary works and original works on various Shastras with the same scholarship, zeal and acumen for fifty years in Poona. He wrote गूढार्थप्रकाश a commentary on the LaghuSabdendusekhara and तत्त्वादर्श a commentary on the Paribhasendusekhara in 1889. His edition of the Patanjala Mahabhasya with full translation and notes in Marathi can be called his magnum opus. See अभ्यंकर. vijayā name of a commentary on the Laghusabdendusekhara by Sivanarayana. vaidyanātha Vaidyanatha Payagunde, a famous grammarian of the eighteenth century, who was one of the chief pupils of Nagesa and who prepared a line of pupils at Varanasi. He has written learned commentaries on standard works on grammar, the principal ones being the Prabha on the Sabdakaustubha, the Bhavaprakasika on the Brhaccabdendusekhara, the Cidasthimala on the LaghuSabdendusekhara, the Kasika or Gada on the Paribhasendusekhara and an independent short treatise named Rapratyaya-khandana vaiyākaraṇasiddhāntakaumudīṭīkā or सिद्धान्तकौमुदीव्याख्या a general name given to the large number of commentaries written by members of the line of pupils, and pupils of pupils of Bhattoji. The well-known among the commentaries are प्रौढमनोरमा by the author himself, तत्त्वबोधिनी by ज्ञानेन्द्रसरस्वती, सुबोधिनी by जयकृष्णभट्ट मौनी बालमनोरमा by वासुदेवदीक्षित, and crowning all, the लघुशब्देन्दुशेखर by नागेशभट्ट. The प्रौढमनोरमा has got a learned commentary written by हरिदीक्षित called लघुशब्दरत्न or शब्दरत्न, which also has on it commentaries named भावप्रक्राश by बाळंभट्ट and शब्दरत्नदीप by कल्याणमल्ल. The Laghusabdendusekhara has got commentaries reaching about ten in number. śaṃkarabhaṭṭa name of a grammarian of the eighteenth century who wrote a commentary, called शांकरी after him, on Nagesa's Paribhasendusekhara. śabdenduśekhara a popular name given to the Laghusabdendusekhara written by Nagesabhatta. See लघुशब्देन्दुशेखर. śāṃkari (1) name of a glo:s on Kondabhatta's Vaiyakaranabhusanasara by Samkara; (2) name of a commentary on the Paribhasendusekhara of Nagesa written by Sankarabhatta; (3) The Vyakarana vidya or instructions in Grammar given by God Siva to Panini on which the Siksa of Panini has been basedition śeṣaśarbhan also known by the name मनीषिशेषशर्मन्, a grammarian who has written सर्वमङ्गला, a commentary on Nagesa's Paribhasendusekhara. śeṣaśāstrī a grammarian who wrote a commentary on the Paribhasendusekhara of Nagesabhatta. śrīdhara a grammarian of the last century who has written a commentary named श्रीधरी after him, on the Paribhasendusekhara. śrīmānaśarmā a famous grammarian of Eastern India who has written a short scholarly gloss named Vijaya on Nagesa's Paribhasendusekhara. For details refer to Paribhasasamgraha. sadāśivabhaṭṭa (घुले) a prominent grammarian of the latter half of the eighteenth century who was a resident of Nagpur and whose gloss on the Laghusabdendusekhara by name सदाशिवभट्टी is well known to scholars. sadāśivabhaṭṭī name of a commentary written by सदाशिवभट्ट घुले on the Laghusabdendusekhara of Nagesa. sarvamaṅgalā a commentary on Nagesa's Paribhasendusekhara written by a grammarian of the nineteenth century named शेषशर्मन् or मनीषिशेषशर्मन्. The work is incomplete. sārāsāraviveka name of a commentary on Nagesa's Paribhasendusekhara written by बालशास्त्री रानडे, the stalwart grammarian of the nineteenth century at Varanasi. harināthadvivedī a grammarian of the nineteenth century who has written a commentary named अकाण्डताण्डव on Nagesa's Paribhasendusekhara. hariśātri ( भागवत ) a grammarian of the nineteenth century who has written Vakyarthacandrika, a commentary on Nagesa's Paribhasendusekhara. hemacandra a Jain sage and scholar of remarkable erudition in the religious works of the Jainas as also in several Shastras. He was a resident of Dhandhuka in Gujarat, who, like Sankarācārya took संन्यासदीक्षा at a very early age and wrote a very large number of original books and commentaries, the total number of which may well nigh exceed fifty, during his long life of eighty-four years ( 1088 to ll 2 ). He stayed at AnhilavalaPattana in the North Gujarat and was patronised with extreme reverence by King Kumarapala who in fact, became his devoted pupil. Besides the well-known works on the various Shastras like Kavyanusasana, Abhidhanacintamani, Desinamamla, Yogasastra, Dvyasrayakavya, Trisastisalakapurusacarita and others which are well-known, he wrote a big work on grammar called सिद्धहेमचन्द्र by him,but popularly known by the name हेमव्याकरण or हैमशब्दानुशासन The , work consists of eight books or Adhyayas, out of which the eighth book is devoted to prakrit Grammar, and can be styled as a Grammar of all the Prakrit dialects. The Sanskrit Grammar of seven chapters is based practically upon Panini's Astadhyayi, the rules or sutras referring to Vedic words or Vedic affixes or accents being entirely omittedThe wording of the Sutras is much similar to that of Panini; at some places it is even identical. The order of the treatment of the subjects in the सिद्धहैम. शब्दानुशासनमृत्र is not, however, similar to that obtaining in the Astadhyayi of Panini. It is somewhat topicwise as in the Katantra Vyakarana. The first Adhyaya and a quarter of the second are devoted to Samjna, Paribhasa and declension; the second pada of the second Adhyaya is devoted to karaka, while the third pada of it is devoted to cerebralization and the fourth to the Stripratyayas.The first two Padas of the third Adhyaya are devoted to Samasas or compound words, while the last two Padas of the third Adhyaya and the fourth Adhyaya are devoted to conjugation The fifth Adhyaya is devoted to verbal derivatives or krdanta, while the sixth and the seventh Adhyayas are devoted to formations of nouns from nouns, or taddhita words. On this Sabda nusasana, which is just like Panini's Astadhyayi, the eighth adhyaya of Hemacandra being devoted to the grammar of the Arsa language similar to Vedic grammar of Panini, Hemacandra has himself written two glosses which are named लधुवृति and वृहृदवृत्ति and the famous commentary known as the Brhannyasa. Besides these works viz the हैमशब्दानुशासन, the two Vrttis on it and the Brhannyasa, he has given an appendix viz the Lingnusasana. The Grammar of Hemacandra, in short, introduced a new system of grammar different from, yet similar to, that of Panini, which by his followers was made completely similar to the Paniniya system by writing works similar to the Siddhantakaumudi, the Dhatuvrtti, the Manorama and the Paribhasendusekhara. हेमहंसगणि a grammarian belonging to the school of Hemacandra, who lived in the fifteenth century and wrote a work on Paribhasas named न्यायसंग्रह, on which he himself wrote a commentary called न्यायार्थमञ्जूषा and another one called by the name न्यास.
duḥ
kaṇaḥ, binduḥ , kṣodaḥ, vipluṭ, vipruṭ, pṛṣat, pṛṣataḥ, pṛṣanti, lavaḥ, leśaḥ, stokaḥ, gaḍaḥ, kaṇikā, śīkaraḥ, sphāṭakaḥ, puṣvā
niṣyandamāna-jalādi-dravapadārthānāṃ golikāsamaḥ laghuḥ aṃśaḥ।
jalasya kaṇaiḥ ghaṭaḥ pūritaḥ।
duḥ
mūṣakaḥ, mūṣikaḥ, mūṣaḥ, ākhuḥ, induraḥ, induruḥ, unduraḥ, unduru, giriḥ, girikā, dīnā, vileśayaḥ, vajradantaḥ, dhānyāriḥ, cikkā, kunduḥ , kuhanaḥ, karvaḥ, kācigha, tuṭuma, daharaḥ, vṛṣaḥ, śaṅkumukhaḥ, suṣiraḥ, steyī, muṣmaḥ
jantuviśeṣaḥ-yaḥ gṛhe kṛṣīkṣetre vā bile vasati tathā ca yaḥ gajānanasya vāhanam।
tena mūṣakāṇāṃ hananārtham auṣadhaṃ krītam।
duḥ
ambukaṇaḥ, udabinduḥ , udastokaḥ, udakabinduḥ , jalabinduḥ , pṛṣantiḥ, pṛṣataḥ, vāribinduḥ , vārileśaḥ, śīkarakaṇaḥ, śīkaraḥ, abbinduḥ
jalasya binduḥ।
padmapatrasthaḥ ambukaṇaḥ sūryaprakāśe mauktikasadṛśaḥ dṛśyate।
duḥ
āpākaḥ, ukhā, kanduḥ
iṣṭikādibhiḥ vinirmitā bṛhatī cullī yasyāṃ karmakarāḥ bahūn padārthān pacanti।
kailāsaḥ āpāke miṣṭānnaṃ pācayati।
duḥ
kaṣṭena, duḥ khena, kaṣṭaṃ, kṛcchreṇa, kaṭhinataḥ
kāṭhinyena saha।
kaṭhinatayā etad kāryaṃ samāptam।
duḥ
kendra binduḥ , kendram, madhya-binduḥ , nābhiḥ, madhyam, madhyaḥ, madhyasthānam, madhyasthalam, garbhaḥ, udaram, abhyantaram, hṛdayam
kasyāpi vṛttasya paridheḥ paṅkteḥ vā yāthārthena madhye vartamāno binduḥ।
asya vṛttasya kendrabinduṃ chindantīṃ rekhāṃ likhatu।
duḥ
śokapūrṇatā, duḥ khapūrṇatā
śokapūrṇasya avasthā bhāvo vā।
śokapūrṇatayā jīvituṃ kaṣṭam।
duḥ
duḥ śvāsaḥ, duḥ śvasanam
rogaviśeṣaḥ-yasmin pīḍitaḥ śvasanakriyāyāṃ pīḍām anubhavati।
saḥ duḥśvāsena pīḍitaḥ।
duḥ
pūrṇenduḥ , sakalenduḥ , pūrṇimā, rākā, kaṭhoracandraḥ, akhaṇḍakalaḥ, pūrṇacandraḥ
candrasya akhaṇḍarūpam।
pūrṇendoḥ jalasthaṃ pratibimbam atyantaṃ manohāri vartate।
duḥ
asamayaḥ, akālaḥ, duḥ samayaḥ
apakṛṣṭaḥ samayaḥ।
etān janān na seveta vyādhisaṅghaśca durjayaḥ। sarvaṃ boddhyam asamayaṃ kāle sarvaṃ grasiṣyati।।
duḥ
duḥ kham, pīḍā, bādhā, vyathā, amānasyam, kaṣṭam, kṛccham, ābhīlam, artiḥ, pīḍanam, viheṭhanam, kleśaḥ, āpad
cetasāṃ pratikūlaḥ manodharmaviśeṣaḥ।
janāḥ duḥkhe eva īśvaraṃ smaranti।
duḥ
śokākula, śokānvita, śokamaya, duḥ khamaya, samanyuḥ, khedānvita, saśoka, śokapūrṇa
śokena grastaḥ।
kasyāpi mahātmanaḥ mṛtyunā rāṣṭraṃ śokākulaṃ bhavati।
duḥ
karajam, kararuhaḥ, pāṇiḥ, nakhaḥ, nakharaḥ, ardhacandraḥ, ardhenduḥ
prāṇināṃ hastasya pādasya vā aṅgulisamudāyaḥ।
vyāghraḥ śaśakaṃ karajena hanti।
duḥ
vedanā, vedanam, vyathā, duḥ kham, pīḍā, ārti, tāpaḥ, yātanā, kṛcchra, vyādhiḥ
śarīrasya kṣatādibhyaḥ jātāni kaṣṭāni।
amba atra tīvrā vedanā asti।
duḥ
jalam, vāri, ambu, ambhaḥ, payaḥ, salilam, sarilam, udakam, udam, jaḍam, payas, toyam, pānīyam, āpaḥ, nīram, vāḥ, pāthas, kīlālam, annam, apaḥ, puṣkaram, arṇaḥ, peyam, salam, saṃvaram, śaṃvaram, saṃmbam, saṃvatsaram, saṃvavaraḥ, kṣīram, pāyam, kṣaram, kamalam, komalam, pīvā, amṛtam, jīvanam, jīvanīyam, bhuvanam, vanam, kabandham, kapandham, nāram, abhrapuṣpam, ghṛtam, kaṃ, pīppalam, kuśam, viṣam, kāṇḍam, savaram, saram, kṛpīṭam, candrorasam, sadanam, karvuram, vyoma, sambaḥ, saraḥ, irā, vājam, tāmarasa, kambalam, syandanam, sambalam, jalapītham, ṛtam, ūrjam, komalam, somam, andham, sarvatomukham, meghapuṣpam, ghanarasaḥ, vahnimārakaḥ, dahanārātiḥ, nīcagam, kulīnasam, kṛtsnam, kṛpīṭam, pāvanam, śaralakam, tṛṣāham, kṣodaḥ, kṣadmaḥ, nabhaḥ, madhuḥ, purīṣam, akṣaram, akṣitam, amba, aravindāni, sarṇīkam, sarpiḥ, ahiḥ, sahaḥ, sukṣema, sukham, surā, āyudhāni, āvayāḥ, induḥ , īm, ṛtasyayoniḥ, ojaḥ, kaśaḥ, komalam, komalam, kṣatram, kṣapaḥ, gabhīram, gambhanam, gahanam, janma, jalāṣam, jāmi, tugryā, tūyam, tṛptiḥ, tejaḥ, sadma, srotaḥ, svaḥ, svadhā, svargāḥ, svṛtikam, haviḥ, hema, dharuṇam, dhvasmanvatu, nāma, pavitram, pāthaḥ, akṣaram, pūrṇam, satīnam, sat, satyam, śavaḥ, śukram, śubham, śambaram, vūsam, vṛvūkam, vyomaḥ, bhaviṣyat, vapuḥ, varvuram, varhiḥ, bhūtam, bheṣajam, mahaḥ, mahat, mahaḥ, mahat, yaśaḥ, yahaḥ, yāduḥ , yoniḥ, rayiḥ, rasaḥ, rahasaḥ, retam
sindhuhimavarṣādiṣu prāptaḥ dravarupo padārthaḥ yaḥ pāna-khāna-secanādyartham upayujyate।
jalaṃ jīvanasya ādhāram। /ajīrṇe jalam auṣadhaṃ jīrṇe balapradam। āhārakāle āyurjanakaṃ bhuktānnopari rātrau na peyam।
duḥ
aṅkuraṇabinduḥ
yasmāt aṅkurotpattirbhavati tad bījasthaṃ sthānam।
bīje naikāḥ aṅkuraṇabindavaḥ santi।
duḥ
viṣṇuḥ, nārāyaṇaḥ, kṛṣṇaḥ, vaikuṇṭhaḥ, viṣṭaraśravāḥ, dāmodaraḥ, hṛṣīkeśaḥ, keśavaḥ, mādhavaḥ, svabhūḥ, daityāriḥ, puṇḍarīkākṣaḥ, govindaḥ, garuḍadhvajaḥ, pītāmbaraḥ, acyutaḥ, śārṅgī, viṣvaksenaḥ, janārdanaḥ, upendraḥ, indrāvarajaḥ, cakrapāṇiḥ, caturbhujaḥ, padmanābhaḥ, madhuripuḥ, vāsudevaḥ, trivikramaḥ, daivakīnandanaḥ, śauriḥ, śrīpatiḥ, puruṣottamaḥ, vanamālī, balidhvaṃsī, kaṃsārātiḥ, adhokṣajaḥ, viśvambharaḥ, kaiṭabhajit, vidhuḥ, śrīvatsalāñachanaḥ, purāṇapuruṣaḥ, vṛṣṇiḥ, śatadhāmā, gadāgrajaḥ, ekaśṛṅgaḥ, jagannāthaḥ, viśvarūpaḥ, sanātanaḥ, mukundaḥ, rāhubhedī, vāmanaḥ, śivakīrtanaḥ, śrīnivāsaḥ, ajaḥ, vāsuḥ, śrīhariḥ, kaṃsāriḥ, nṛhariḥ, vibhuḥ, madhujit, madhusūdanaḥ, kāntaḥ, puruṣaḥ, śrīgarbhaḥ, śrīkaraḥ, śrīmān, śrīdharaḥ, śrīniketanaḥ, śrīkāntaḥ, śrīśaḥ, prabhuḥ, jagadīśaḥ, gadādharaḥ, ajitaḥ, jitāmitraḥ, ṛtadhāmā, śaśabinduḥ , punarvasuḥ, ādidevaḥ, śrīvarāhaḥ, sahasravadanaḥ, tripāt, ūrdhvadevaḥ, gṛdhnuḥ, hariḥ, yādavaḥ, cāṇūrasūdanaḥ, sadāyogī, dhruvaḥ, hemaśaṅkhaḥ, śatāvarttī, kālanemiripuḥ, somasindhuḥ, viriñciḥ, dharaṇīdharaḥ, bahumūrddhā, vardhamānaḥ, śatānandaḥ, vṛṣāntakaḥ, rantidevaḥ, vṛṣākapiḥ, jiṣṇuḥ, dāśārhaḥ, abdhiśayanaḥ, indrānujaḥ, jalaśayaḥ, yajñapuruṣaḥ, tārkṣadhvajaḥ, ṣaḍbinduḥ , padmeśaḥ, mārjaḥ, jinaḥ, kumodakaḥ, jahnuḥ, vasuḥ, śatāvartaḥ, muñjakeśī, babhruḥ, vedhāḥ, prasniśṛṅgaḥ, ātmabhūḥ, suvarṇabinduḥ , śrīvatsaḥ, gadābhṛt, śārṅgabhṛt, cakrabhṛt, śrīvatsabhṛt, śaṅkhabhṛt, jalaśāyī, muramardanaḥ, lakṣmīpatiḥ, murāriḥ, amṛtaḥ, ariṣṭanemaḥ, kapiḥ, keśaḥ, jagadīśaḥ, janārdanaḥ, jinaḥ, jiṣṇuḥ, vikramaḥ, śarvaḥ
devatāviśeṣaḥ hindudharmānusāraṃ jagataḥ pālanakartā।
ekādaśastathā tvaṣṭā dvādaśo viṣṇurucyate jaghanyajastu sarveṣāmādityānāṃ guṇādhikaḥ।
duḥ
paścāttāpaḥ, anutāpaḥ, anuśokaḥ, anuśocanam, manastāpaḥ, tāpaḥ, santāpaḥ, udnegaḥ, anuśayaḥ, śokaḥ, khedaḥ, duḥ kham, manoduḥ kham, manovyathā, utkaḥ, vipratīsāraḥ
agrato akārye kṛte carame tāpaḥ।
tena pituḥ avajñā kṛtā ataḥ paścātāpaṃ karoti।
duḥ
candraḥ, kalānāthaḥ, kalādharaḥ, himāṃśuḥ, candramāḥ, kumudabāndhavaḥ, vidhuḥ, sudhāṃśuḥ, śubhrāṃśuḥ, oṣadhīśaḥ, niśāpatiḥ, abjaḥ, jaivātṛkaḥ, glauḥ, mṛgāṅkaḥ, dvijarājaḥ, śaśadharaḥ, nakṣatreśaḥ, kṣapākaraḥ, doṣākaraḥ, niśīthinīnāthaḥ, śarvarīśaḥ, eṇāṅkaḥ, śītaraśmiḥ, samudranavanītaḥ, sārasaḥ, śvetavāhanaḥ, nakṣatranāmiḥ, uḍupaḥ, sudhāsūtiḥ, tithipraṇīḥ, amatiḥ, candiraḥ, citrāṭīraḥ, pakṣadharaḥ, rohiṇīśaḥ, atrinetrajaḥ, pakṣajaḥ, sindhujanmā, daśāśvaḥ, māḥ, tārāpīḍaḥ, niśāmaṇiḥ, mṛgalāñchanaḥ, darśavipat, chāyāmṛgadharaḥ, grahanemiḥ, dākṣāyaṇīpati, lakṣmīsahajaḥ, sudhākaraḥ, sudhādhāraḥ, śītabhānuḥ, tamoharaḥ, tuśārakiraṇaḥ, pariḥ, himadyutiḥ, dvijapatiḥ, viśvapsā, amṛtadīdhitiḥ, hariṇāṅkaḥ, rohiṇīpatiḥ, sindhunandanaḥ, tamonut, eṇatilakaḥ, kumudeśaḥ, kṣīrodanandanaḥ, kāntaḥ, kalāvān, yāminījatiḥ, sijraḥ, mṛgapipluḥ, sudhānidhiḥ, tuṅgī, pakṣajanmā, abdhīnavanītakaḥ, pīyūṣamahāḥ, śītamarīciḥ, śītalaḥ, trinetracūḍāmaṇiḥ, atrinetrabhūḥ, sudhāṅgaḥ, parijñāḥ, sudhāṅgaḥ, valakṣaguḥ, tuṅgīpatiḥ, yajvanāmpatiḥ, parvvadhiḥ, kleduḥ , jayantaḥ, tapasaḥ, khacamasaḥ, vikasaḥ, daśavājī, śvetavājī, amṛtasūḥ, kaumudīpatiḥ, kumudinīpatiḥ, bhūpatiḥ, dakṣajāpatiḥ, oṣadhīpatiḥ, kalābhṛt, śaśabhṛt, eṇabhṛt, chāyābhṛt, atridṛgjaḥ, niśāratnam, niśākaraḥ, amṛtaḥ, śvetadyutiḥ, hariḥ
khagolīyapiṇḍaḥ yaḥ pṛthvīṃ paribhramati।
adhunā mānavaḥ candrasya pṛṣṭhabhāgaṃ gatvā saṃśodhanaṃ karoti।
duḥ
kheda, duḥ kha
kimapi ucitam āvaśyakaṃ priyaṃ vā kāryaṃ yadā na bhavati tadā manasi jātaḥ śokaḥ।
khedaḥ asti yadā bhavataḥ kāryaṃ vilambena jātam।
duḥ
duḥ khada, duḥ khadāyin, duḥ khaprada, khedajanaka, kaṣṭadāyaka
yaḥ duḥkhaṃ dadāti।
pitroḥ sevā na kariṣyasi eṣā duḥkhadā vārtā।
duḥ
duḥ kham anubhū, pīḍām anubhū, duḥ khaṃ sah, pīḍāṃ sah
mānasikaduḥkhasya śārīrikapīḍāyāḥ vā saṃvedanānukūlaḥ vyāpāraḥ।
vivāhādanantaraṃ dvitrāṇi varṣāṇi yāvat gītā śvaśuragṛhe pīḍām anvabhavat।
duḥ
binduḥ
tad laghuttamaṃ vartulākāraṃ cihnaṃ yad kasyāpi sthānasya nirdeśaṃ karoti kiṃ tu tasya vibhāgo nāsti।
vālakaiḥ krīḍāyāṃ bindū upayujya gajasya ākṛtiḥ ālekhitā।
duḥ
duḥ khāvasthā
sā avasthā yā duḥkhena paripūrṇā asti।
duḥkhāvasthāyāṃ janāḥ īśvaraṃ smaranti।
duḥ
asahya, asahanīya, duḥ saha
yaḥ svasya ugratayā kaṭhoratayā anaucityena vā sahyaṃ nāsti।
tasya kaṭubhāṣaṇaṃ mama kṛte asahyam asti।
duḥ
kleśaḥ, vedanā, pīḍā, duḥ kha, todaḥ
śārīrikī mānasikī vā pīḍā।
naikān kleśān anvabhavan deśabhaktāḥ bhāratadeśasya svātantryārthe। / kleśaḥ phalena hi punarnavatāṃ vidhatte।
duḥ
duḥ khadāyaka, duḥ khaprada, kaṣṭaprada
yaḥ pīḍāṃ dadāti।
vṛddhāvasthā duḥkhadāyakā asti।
duḥ
duḥ khagrasta, duḥ khapīḍita, duḥ khopeta
yat kaṣṭena yuktam।
tasya duḥkhagrastām avasthām ahaṃ soḍhuṃ na śaknomi।
duḥ
līlā, alāyāsaḥ, nirāyāsaḥ, sukaraḥ, susādhyaḥ, akaṣṭaḥ, sukhasādhyaḥ, sugamaḥ, akaṭhinaḥ, aviṣamaḥ, sulabhaḥ, niḥśalyorthaḥ, akleśaḥ, sukaram, ayatnataḥ, saukaryeṇa, duḥ khaṃ vinā, kleṣaṃ vinā, susahaḥ, helayā
sukhena yat kartum śakyate।
śrīkṛṣṇena govardhanaparvataḥ līlayā utthāpitaḥ।
duḥ
karkaśā, kuśīlā, vāmaśīlā, vakraśīlā, duḥ śīlā, ugraśīlā
mūṣakajātīyaḥ jantuḥ।
karkaśā mṛdānirmitagṛhe itastataḥ bhrāmyantī dṛśyate।
duḥ
duḥ svapnam, kusvapnam
tat svapnaṃ yad aniṣṭasūcakam asti।
hyaḥ rātrau mayā duḥsvapnaṃ dṛṣṭam।
duḥ
śokaḥ, khedaḥ, duḥ kham, kleśaḥ, manyuḥ, śocanam, manastāpaḥ, ādhiḥ, śuk
kaṣṭātmakaḥ manobhāvaḥ yaḥ priyavyakteḥ nidhanād anantaram anubhūyate।
rāmasya vanagamanād anantaram sakalā ayodhyānagarī śokam anvabhavat।
duḥ
vyath, pīḍ, kliś, bādh, duḥ khaya, saṃtap, khid
manasi duḥkhasya anubhavanānukūlaḥ vyāpāraḥ।
bhavatāṃ kāryaiḥ aham atīva vyathe।
duḥ
duḥ sāhasin
yaḥ anucitaṃ sāhasaṃ karoti।
mohanaḥ duḥsāhasī bālakaḥ asti।
duḥ
duḥ khāntam
yasya nāṭakasya antaṃ duḥkhapūrṇam asti।
grīkadeśasthena kavinā homareṇa naikāni duḥkhāntāni nāṭakāni likhitāni।
duḥ
duḥ śāsanaḥ
duryodhanasya bhrātā yaḥ draupadyāḥ vastraharaṇāya prāyatata।
bhīmena duḥśāsanaḥ hataḥ।
duḥ
vajram, kuliśam, bhaduram, paviḥ, śatakoṭiḥ, svaruḥ, śambaḥ, dambholiḥ, aśaniḥ, kulīśam, bhidiram, bhiduḥ , svarus, sambaḥ, saṃvaḥ, aśanī, vajrāṃśaniḥ, jambhāriḥ, tridaśāyudham, śatadhāram, śatāram, āpotram, akṣajam, girikaṇṭakaḥ, gauḥ, abhrottham, meghabhūtiḥ, girijvaraḥ, jāmbaviḥ, dambhaḥ, bhidraḥ, ambujam, hlādinī, didyut, nemiḥ, hetiḥ, namaḥ. sṛkaḥ, vṛkaḥ, vadhaḥ, arkaḥ, kutasaḥ , kuliśaḥ, tujaḥ, tigmam, meniḥ, svadhitiḥ sāyakaḥ, paraśuḥ
indrasya pradhānaṃ śastram।
ekadā indreṇa hanumān vajreṇa prahṛtaḥ।
duḥ
duḥ sevā, kusevā
sā sevā yā sevitāya pīḍādāyikā athavā apakārikā।
duḥsevayā śyāmasya pitā asvasthaḥ।
duḥ
bālenduḥ
śuklapakṣasya prārambhe dṛśyamānaḥ prāyaḥ dvitīyāyāḥ candrakalā।
bālenduṃ dṛṣṭvā bālakaḥ ānanditaḥ।
duḥ
duṣkara, duḥ sādhya
duḥkhena karaṇam;
vane gatvā tapastaptaṃ vāsudevena duṣkaram। viṣṇoraṃśāvatāreṇa śivasyārādhanaṃ kṛtam।।
duḥ
duḥ saha, dussaha, asahya
soḍhuṃ duḥkham।
kulasya arthaprāptiḥ nyūnā jātā ataḥ asmākaṃ jīvanaṃ duḥsahyaṃ jātam।
duḥ
kaphaḥ, śleṣmā, śleṣmakaḥ, kledanaḥ, kledakaḥ, balahā, khaṭaḥ, nidrāsañjananam, syeduḥ
udkāsanādikāle mukhe āgataḥ upalepaḥ।
yadā saḥ udkāsate tadā tasya mukhāt kaphaḥ āgacchati।
duḥ
hinduḥ
āryāṇāṃ bhāratīyāḥ vaṃśajāḥ yeṣāṃ vedasmṛtipurāṇādayaḥ dharmagranthāḥ santi।
hindavaḥ mūrtipūjakāḥ santi।
duḥ
śṛṅkhalā, pāśaḥ, nigaḍaḥ, lohakaṭakaḥ, lohapāśaḥ, lauhabandham, lohaśṛṅkhalaḥ, vīvadhā, anduḥ , andūḥ, andukaḥ, lauhanigaḍaḥ
dhātoḥ anyonyeṣu saṃyuktānāṃ kuṇḍalānāṃ mālā।
paśuḥ rajvā vā śṛṅkhalayā vā badhyate।
duḥ
utpīḍanam, pradharṣanā, pīḍanam, avamardaḥ, duḥ khanam
pīḍanasya kriyā।
śvaśuragṛhajanaiḥ kṛtena utpīḍanena udvignā jātā rāgiṇī ātmaghātam akarot।
duḥ
du, śuc, khid, pīḍaya, bādh, kliś, vyathaya, upatap, saṃtap, santap, paritap, āyas, udvij, duḥ khaya
duḥkhānubhūtyanukūlaḥ vyāpāraḥ।
mṛtaḥ puruṣaḥ kadāpi na pratyāgacchati bhavān mā dauṣīḥ।
duḥ
parākāṣṭhā, caramasīmā, caramabinduḥ , caramāvasthā
yā antimā sīmā yāvat na ko'pi gacchati।
eṣā asabhyatāyāḥ parākāṣṭhā asti।
duḥ
apaṣṭhu, duḥ ṣṭhu
duṣprakāreṇa।
vayaṃ parābhūtāḥ adya yato hi sarve krīḍakāḥ apaṣṭhu akrīḍan।
duḥ
khasvastikam, viṣṇupadam, ūrdhvā, nabhomadhyam, khamadhyam, svarmadhyam, gaganamadhyam, śirobinduḥ
ākāśe śirasaḥ upari manyamānaḥ kalpitabinduḥ।
madhyāhne sūryaḥ khasvastike bhavati।
duḥ
asambhavam, aghaṭitam, asādhyam, duḥ śakam, asaṃbhāvanīyam
aśakyā ghaṭanā।
kadācit asambhavam api ghaṭate।
duḥ
anātmakaduḥ kham
jainamatānusāreṇa dvayoḥ lokayoḥ duḥkham।
īśvarabhaktiḥ eva anātmakaduḥkhāt trāyate।
duḥ
duḥ śalā
gāndhārīdhṛtarāṣṭrayoḥ kanyā।
duḥśalāyāḥ vivāhaḥ jayadrathena saha jātaḥ।
duḥ
binduḥ
lipyām anusvāradarśako binduḥ(prācīnahastalikhiteṣu vyāmṛṣṭākṣarasya upari pradatto binduḥ yaḥ tasya akṣarasya tatra vyāmṛṣṭatvam āvaśyakatvaṃ ca darśayati);
sambhāṣā iti śabdaḥ bindunā sahitaṃ saṃbhāṣā iti api likhyate
duḥ
duḥ śīlā
duryodhanasya patnī।
duḥśīlāyāḥ varṇanaṃ mahābhārate vartate।
duḥ
yaduḥ
nṛpanāmaviśeṣaḥ-yayāteḥ devayānyāṃ jāto jyeṣṭhaḥ putraḥ। yasmād tadvaṃśaḥ yādavaḥ iti nāmnā prasiddhaḥ abhavat।
tasyaivaṃ supravṛttasya putrakāmasya dhīmataḥ। madhumatyāṃ suto jajñe yadurnāma mahāśayāḥ॥
duḥ
duṣkara, viṣama, duḥ sādhya
yasya sampādanaṃ kaṭhinaṃ tat karma।
asmin duṣkare karmaṇi ahaṃ na saṃśleṣaṃ na kariṣye।
duḥ
tejo-bindu-upaniṣad, tejo-binduḥ
ekā upaniṣad।
tejo-bindu-upaniṣad yajurvedasya bhāgaḥ।
duḥ
nāda-bindu upaniṣad, nāda-binduḥ
ekā upaniṣad।
nāda-bindu-upaniṣad ṛgvedena sambaddhā।
duḥ
dhyānabindu-upaniṣad, dhyānabinduḥ
ekā upaniṣad।
dhyānabindu-upaniṣad yajurvedena sambandhitā।
duḥ
binduḥ
kasmiñcit vastuni vartamānaṃ laghu vartulam।
asmin paṭe rañjitāḥ bindavaḥ śobhante।
duḥ
somaḥ, candraḥ, śaśāṅkaḥ, induḥ , mayaṅkaḥ, kalānidhiḥ, kalānāthaḥ, kalādharaḥ, himāṃśuḥ, candramāḥ, kumudabāndhavaḥ, vidhuḥ, sudhāṃśuḥ, śubhrāṃśuḥ, oṣadhīśaḥ, niśāpatiḥ, abjaḥ, jaivātṛkaḥ, somaḥ, glauḥ, mṛgāṅkaḥ, dvijarājaḥ, śaśadharaḥ, nakṣatreśaḥ, kṣapākaraḥ, doṣākaraḥ, niśīthinīnāthaḥ, śarvarīśaḥ, eṇāṅkaḥ, śītaraśmiḥ, samudranavanītaḥ, sārasaḥ, śvetavāhanaḥ, nakṣatranāmiḥ, uḍupaḥ, sudhāsūtiḥ, tithipraṇīḥ, amatiḥ, candiraḥ, citrāṭīraḥ, pakṣadharaḥ, rohiṇīśaḥ, atrinetrajaḥ, pakṣajaḥ, sindhujanmā, daśāśvaḥ, māḥ, tārāpīḍaḥ, niśāmaṇiḥ, mṛgalāñchanaḥ, darśavipat, chāyāmṛgadharaḥ, grahanemiḥ, dākṣāyaṇīpati, lakṣmīsahajaḥ, sudhākaraḥ, sudhādhāraḥ, śītabhānuḥ, tamoharaḥ, tuśārakiraṇaḥ, pariḥ, himadyutiḥ, dvijapatiḥ, viśvapsā, amṛtadīdhitiḥ, hariṇāṅkaḥ, rohiṇīpatiḥ, sindhunandanaḥ, tamonut, eṇatilakaḥ, kumudeśaḥ, kṣīrodanandanaḥ, kāntaḥ, kalāvān, yāminījatiḥ, sijraḥ, mṛgapipluḥ, sudhānidhiḥ, tuṅgī, pakṣajanmā, abdhīnavanītakaḥ, pīyūṣamahāḥ, śītamarīciḥ, śītalaḥ, trinetracūḍāmaṇiḥ, atrinetrabhūḥ, sudhāṅgaḥ, parijñāḥ, sudhāṅgaḥ, valakṣaguḥ, tuṅgīpatiḥ, yajvanāmpatiḥ, parvvadhiḥ, kleduḥ , jayantaḥ, tapasaḥ, khacamasaḥ, vikasaḥ, daśavājī, śvetavājī, amṛtasūḥ, kaumudīpatiḥ, kumudinīpatiḥ, bhūpatiḥ, dakṣajāpatiḥ, oṣadhīpatiḥ, kalābhṛt, śaśabhṛt, eṇabhṛt, chāyābhṛt, atridṛgjaḥ, niśāratnam, niśākaraḥ, amṛtaḥ, śvetadyutiḥ
devatāviśeṣaḥ;
patitaṃ somamālokya brahmā lokapitāmahaḥ[śa.ka]
duḥ
tindukaḥ, atimuktakaḥ, āluḥ, āluka, kākatinduḥ , kākatindukaḥ, kākenduḥ , kālatindukaḥ, kālapīlukaḥ, kupīluḥ, kulakaḥ, kenduḥ , kendukaḥ, gālavaḥ
vṛkṣaviśeṣaḥ, āyurvede asya guṇāḥ - pittapramehasraśleṣmanāśitvam।
tindukasya pakvaphalaḥ madhuram asti।
duḥ
śūnyam, binduḥ
vallakandukakrīḍāyāṃ yadā valladhārī ekām api dhāvāṃ kartum na śaknoti tadā tasya prāptāṅkaḥ।
adya tena śūnyaṃ prāptam। / adya saḥ śūnye eva gataḥ।
duḥ
duḥ śalaḥ
dhṛtarāṣṭraputraḥ।
duḥśalasya varṇanaṃ mahābhārate prāpyate।
duḥ
duḥ sahaḥ
dhṛtarāṣṭraputraḥ।
duḥsahasya varṇanaṃ dhārmikeṣu grantheṣu prāpyate।
duḥ
śaśabinduḥ
gandharvasya citrarathasya putraḥ।
śaśabindoḥ varṇanaṃ purāṇeṣu asti।
duḥ
aśruleśaḥ, nayanodabinduḥ , bāṣpabinduḥ
aśrubinduḥ।
sā netrayoḥ samāgatānām aśruleśānām avarodhanasya prayantam akarot।
duḥ
viduḥ
gajasya kumbhadvayasya madhyabhāgaḥ।
hastipakena vidoḥ adhobhāge om iti akṣaraṃ nirmitam।
duḥ
viduḥ
aśvasya karṇayoḥ madhyabhāgaḥ।
aśvapālaḥ avabhagne vidau lepaṃ lepayati।
duḥ
andhabinduḥ
netrapaṭalasya tat sthānaṃ yasya prakāśagrahaṇasya asāmarthyena vastūni na dṛśyante।
bahudhā madhumehaḥ api andhabindoḥ kāraṇaṃ bhavati।
duḥ
kendrabinduḥ
saḥ binduḥ yatra prakāśasya anyavikiraṇānāṃ vā kiraṇāni ekatritāni bhavanti yasmāt prasaranti ca।
udbhujasya tathā ca uttānasya dīptopalasya kendrabindavaḥ bhinnāḥ santi।
duḥ
svedabinduḥ
svedasya kaṇaḥ।
tasya lalāṭāt svedabindavaḥ galanti।
duḥ
kanduḥ
ekaḥ puruṣaḥ ।
kanduḥ gacchati
duḥ
viduḥ
ekaḥ puruṣaḥ ।
bauddhasāhitye vidoḥ ullekhaḥ asti
duḥ
vijilabinduḥ
ekaḥ grāmaḥ ।
vijilabindoḥ varṇanaṃ śaṅkaravijayaḥ iti granthe asti
duḥ
viñilavinduḥ
ekaḥ grāmaḥ ।
viñilavindoḥ varṇanaṃ vivaraṇapustikāyām asti
duḥ
vibhinduḥ
ekaḥ puruṣaḥ ।
vibhindoḥ varṇanaṃ kośe asti
duḥ
binduḥ
ekaḥ puruṣaḥ ।
binduḥ bidādigaṇe parigaṇitaḥ
duḥ
binduḥ
ekaḥ lekhakaḥ ।
bindoḥ rasapaddhatiḥ iti granthasya ullekhaḥ kośe vartate
duḥ
binduḥ
ekā kṣatriyajātiḥ ।
binduḥ dāmanyādigaṇe parigaṇitaḥ
duḥ
kuśabinduḥ
ekaḥ janasamūhaḥ ।
kuśabindavaḥ mahābhārate ullikhitāḥ santi
duḥ
kuśabinduḥ
ekaḥ janasamūhaḥ ।
kuśabindavaḥ mahābhārate ullikhitāḥ santi
duḥ
mālinī, samudrānta, durālabha, ātmamūlī, idamkāryā, sutā, kacchurā, kṣudreṅgudī, gāndhārikā, girikarṇī, tāmramūlā, triparṇikā, dīrghamūlī, duḥ sparśā, padmamukhī, phañjikā, marūdbhavā, rodanī, rodanikā, virūpā, viśāladā
ekaḥ kṣupaḥ ।
mālinyāḥ ullekhaḥ kośe vartate
duḥ
sabinduḥ
ekaḥ parvataḥ ।
sabindoḥ ullekhaḥ mārkaṇḍeya-purāṇe asti
duḥ
viduḥ
bodhivṛkṣasya devatā ।
vidoḥ ullekhaḥ koṣe asti
duḥ
svāduḥ
vṛkṣanāmaviśeṣaḥ ।
svāduḥ iti nāmakānāṃ naikeṣāṃ vṛkṣāṇām ullekhaḥ koṣe asti
duḥ
kanduḥ
ekaḥ puruṣaḥ ।
kandoḥ ullekhaḥ koṣe asti
duḥ
tṛṇabinduḥ
ekaḥ ṛṣiḥ ।
tṛṇabindoḥ ullekhaḥ mahābhārate vartate
duḥ
tṛṇabinduḥ
ekaḥ rājaputraḥ ।
tṛṇabindoḥ ullekhaḥ mahābhārate vartate
duḥ
urubinduḥ
ekaḥ haṃsaḥ ।
urubindoḥ ullekhaḥ harivaṃśe asti
duḥ
upabinduḥ
ekaḥ puruṣaḥ ।
upabindoḥ ullekhaḥ bāhvāhigaṇe asti
duḥ
tṛṇabinduḥ
ekaḥ ṛṣiḥ ।
tṛṇabindoḥ ullekhaḥ mahābhārate vartate
duḥ
tṛṇabinduḥ
ekaḥ rājaputraḥ ।
tṛṇabindoḥ ullekhaḥ mahābhārate vartate
duḥ
damāvanduḥ , demānendaḥ
ekaḥ parvataḥ ।
damāvanduḥ pārasīke vartate